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The Project Gutenberg EBook of Great Artists, Vol 1., by Jennie Ellis Keysor This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Great Artists, Vol 1. Raphael, Rubens, Murillo, and Durer Author: Jennie Ellis Keysor Release Date: September 10, 2007 [EBook #22564] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK GREAT ARTISTS, VOL 1. *** Produced by Stephen Hope, Jacqueline Jeremy and the Online Distributed Proofreading Team at http://www.pgdp.net GREAT ARTISTS _"Art manifests whatever is most exalted, and it manifests it to all!"_--TAINE GREAT ARTISTS RAPHAEL MURILLO RUBENS DURER BY JENNIE ELLIS KEYSOR _Author of "Sketches of American Authors"_ EDUCATIONAL PUBLISHING COMPANY BOSTON NEW YORK CHICAGO SAN FRANCISCO COPYRIGHTED BY EDUCATIONAL PUBLISHING COMPANY, 1899. [Illustration] A WORD TO THE TEACHER. The following brief sketches are presented in fear and in hope--in fear lest they prove in no wise adequate for so glorious a subject; in the hope that they may encourage not only the pupil, but the teacher, to study the lives and the works of the great artists and to make every possible effort to have copies of masterpieces ever before them to study and to love. The field of art study is a wonderful one from which to draw for language work. A double purpose is thus served. Interesting subjects are secured and pupils are given a start in acquiring a knowledge of the beautiful that fortifies them for the sorrows and cares of life; and, what is even better, prevents their own life from being commonplace. Would the teacher wish to study further, a list of valuable reference books is appended to each sketch, any one of which will greatly assist in acquiring a more extended knowledge of the subject. In the study of an artist, take care to have a liberal supply of reproductions of his pictures at hand. These may be photographs, half-tones, like the illustrations in this book, or engravings. Good work cannot be done without such pictures. Above all, work to cultivate a love for good pictures, not to fill young minds with unins
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