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not rebuked for so shamelessly deserting his native county. Instead he is almost applauded for his wisdom, and this despite the fact that he quite spoilt the look of the family tree with his exotic graft. For in the course of time his son, insularly known as _Willatopy_, inherited the title and became twenty-eighth (no less) _Baron of Topsham_. Mr. COPPLESTONE does not realise the vast difference between light comedy and broad farce, but apart from this substantial reservation I can vouch that his yarn of _Madame Gilbert's Cannibal_ (MURRAY) is deftly spun. Should you decide to follow the famous _Madame Gilbert_ when she visits the island where the twenty-eighth baron lived you will witness a lively and unusual entertainment. * * * * * Transcriber's Note: Page 355: "Ruined! the old place mortgaged! faugh!" [double quote added]. Page 356: "_They_ always do that." [double quote inserted]. End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. 159, November 3, 1920, by Various *** END OF THIS PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON *** ***** This file should be named 17994.txt or 17994.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/7/9/9/17994/ Produced by Jonathan Ingram, Lesley Halamek and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subje
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