el of the figure, some three feet high, and already drying,
looked superb in its soaring posture, with its large, outspread wings
expanding as if with passionate desire for the infinite. The body, barely
draped, was that of a slim yet robust youth, whose face beamed with the
rapture of his heavenly flight.

"They found him too human," said Jahan. "And after all they were right.
There's nothing so difficult to conceive as an angel. One even hesitates
as to the sex; and when faith is lacking one has to take the first model
one finds and copy it and spoil it. For my part, while I was modelling
that one, I tried to imagine a beautiful youth suddenly endowed with
wings, and carried by the intoxication of his flight into all the joy of
the sunshine. But it upset them, they wanted something more religious,
they said; and so then I concocted that wretched thing over there. After
all, one has to earn one's living, you know."

So saying, he waved his hand towards another model, the one for which his
assistants were preparing the stone. And this model represented an angel
of the correct type, with symmetrical wings like those of a goose, a
figure of neither sex, and commonplace features, expressing the silly
ecstasy that tradition requires.

"What would you have?" continued Jahan. "Religious art has sunk to the
most disgusting triteness. People no longer believe; churches are built
like barracks, and decorated with saints and virgins fit to make one
weep. The fact is that genius is only the fruit of the social soil; and a
great artist can only send up a blaze of the faith of the time he lives
in. For my part, I'm the grandson of a Beauceron peasant. My father came
to Paris to set himself up in business as a marble worker for tombstones
and so forth, just at the top of the Rue de la Roquette. It was there I
grew up. I began as a workman, and all my childhood was spent among the
masses, in the streets, without ever a thought coming to me of setting
foot in a church. So few Parisians think of doing so nowadays. And so
what's to become of art since there's no belief in the Divinity or even
in beauty? We're forced to go forward to the new faith, which is the
faith in life and work and fruitfulness, in all that labours and
produces."

Then suddenly breaking off he exclaimed: "By the way, I've been doing
some more work to my figure of Fecundity, and I'm fairly well pleased
with it. Just come with me and I'll show it you."

Thereupon