nsable to me. It seems to me that
I can picture life as intensely and definitely with mere black and white,
and I even fancy that I shall be able to do so in a more essential
manner, without any of the dupery which lies in colour. But what a task
it is! I should like to depict the Paris of to-day in a few scenes, a few
typical figures, which would serve as testimony for all time. And I
should like to do it with great fidelity and candour, for an artist only
lives by reason of his candour, his humility and steadfast belief in
Nature, which is ever beautiful. I've already done a few figures, I will
show them to you. But ah! if I only dared to tackle my blocks with the
graver, at the outset, without drawing my subject beforehand. For that
generally takes away one's fire. However, what I do with the pencil is a
mere sketch; for with the graver I may come upon a find, some unexpected
strength or delicacy of effect. And so I'm draughtsman and engraver all
in one, in such a way that my blocks can only be turned out by myself. If
the drawings on them were engraved by another, they would be quite
lifeless.... Yes, life can spring from the fingers just as well as
from the brain, when one really possesses creative power."

They walked on, and when they found themselves just below Montmartre, and
Pierre spoke of taking a tramcar to return to Neuilly, Antoine, quite
feverish with artistic passion, asked him if he knew Jahan, the sculptor,
who was working for the Sacred Heart. And on receiving a negative reply,
he added: "Well, come and see him for a moment. He has a great future
before him. You'll see an angel of his which has been declined."

Then, as Francois began to praise the angel in question, Pierre agreed to
accompany them. On the summit of the height, among all the sheds which
the building of the basilica necessitated, Jahan had been able to set up
a glazed workshop large enough for the huge angel ordered of him. His
three visitors found him there in a blouse, watching a couple of
assistants, who were rough-hewing the block of stone whence the angel was
to emerge. Jahan was a sturdy man of thirty-six, with dark hair and
beard, a large, ruddy mouth and fine bright eyes. Born in Paris, he had
studied at the Fine Art School, but his impetuous temperament had
constantly landed him in trouble there.

"Ah! yes," said he, "you've come to see my angel, the one which the
Archbishop wouldn't take. Well, there it is."

The clay mod