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t possible; but the cosmic process seems nevertheless to affirm the worth of every human system of ethics fundamentally opposed to human egoism. -+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+- Notes THE STORY OF MIMI-NASHI-HOICHI [1] See my Kotto, for a description of these curious crabs. [2] Or, Shimonoseki. The town is also known by the name of Bakkan. [3] The biwa, a kind of four-stringed lute, is chiefly used in musical recitative. Formerly the professional minstrels who recited the Heike-Monogatari, and other tragical histories, were called biwa-hoshi, or "lute-priests." The origin of this appellation is not clear; but it is possible that it may have been suggested by the fact that "lute-priests" as well as blind shampooers, had their heads shaven, like Buddhist priests. The biwa is played with a kind of plectrum, called bachi, usually made of horn. (1) A response to show that one has heard and is listening attentively. [4] A respectful term, signifying the opening of a gate. It was used by samurai when calling to the guards on duty at a lord's gate for admission. [5] Or the phrase might be rendered, "for the pity of that part is the deepest." The Japanese word for pity in the original text is "aware." [6] "Traveling incognito" is at least the meaning of the original phrase,--"making a disguised august-journey" (shinobi no go-ryoko). [7] The Smaller Pragna-Paramita-Hridaya-Sutra is thus called in Japanese. Both the smaller and larger sutras called Pragna-Paramita ("Transcendent Wisdom") have been translated by the late Professor Max Muller, and can be found in volume xlix. of the Sacred Books of the East ("Buddhist Mahayana Sutras").--Apropos of the magical use of the text, as described in this story, it is worth remarking that the subject of the sutra is the Doctrine of the Emptiness of Forms,--that is to say, of the unreal character of all phenomena or noumena... "Form is emptiness; and emptiness is form. Emptiness is not different from form; form is not different from emptiness. What is form--that is emptiness. What is emptiness--that is form... Perception, name, concept, and knowledge, are also emptiness... There is no eye, ear, nose, tongue, body, and mind... But when the envelopment of consciousness has been annihilated, then he [the seeker] becomes free from all fear, and beyond the reach of change, enjoying final Nirvana." OSHIDORI [1] From ancient time, i
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