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firmed his surmise as to the state of affairs ashore; and no sooner was the anchor down than he dispatched a heavily-armed boat, the officer of which was instructed to make his way instantly to the cave and investigate. The meeting was, for both parties, a joyous one; and as no savages had been seen by the landing party--they had evidently fled into the woods--we lost no time in making our way to the beach, taking our rifles and ammunition with us, and from the beach to the _Jefferson_, where we were cordially welcomed and highly complimented upon the vigorous defence of the cavern which we had put up. To our infinite satisfaction we found that, acting upon instructions, the commander of the gunboat had brought with him a well-selected wardrobe for each of us, on the off-chance of his search proving successful and the articles being needed. Consequently when, a few hours later, we all sat down to breakfast in the commander's private cabin, we scarcely recognised each other, clad as we now were once more in the garb of civilisation in place of our discarded rags. The war canoes and our boat were burnt where they lay on the beach, thus leaving the savages prisoners on the island; and, this done, we got under way for Manila, where we arrived nine days later. From Manila a cable message was dispatched to Mr Vansittart, immediately upon our arrival, informing him of our safety. And on the following day a reply came from him expressing his delight at the news, together with a cabled credit on the bank for funds amply sufficient to convey the entire party to New York--where, via Yokohama and San Francisco, we eventually arrived safely, by a freak of coincidence, two years to a day from the date of our departure from London. End of the Project Gutenberg EBook of The First Mate, by Harry Collingwood *** END OF THIS PROJECT GUTENBERG EBOOK THE FIRST MATE *** ***** This file should be named 25818.txt or 25818.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/5/8/1/25818/ Produced by Nick Hodson of London, England Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royaltie
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