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the finest pottery specimens are obviously designed on bronze, or, at all events, on metal models, the resemblance even going so far as the copying of the seams and rivets of the metal originals. Bronze was smelted in furnaces, the remains of one of which still exist near Gournia; and was cast in moulds, many of which have survived. The tools and weapons which were made of the metal show an average alloy of about ten per cent. of tin. For beaten work, copper in an almost pure state appears to have been used. Gold was in extensive use for the best class of ornamental work, and the Vaphio cups, which are now held to have been imported to Laconia from Crete, are evidence of the marvellous skill which the Minoan goldsmiths had attained; while the necklaces and other articles of personal adornment found at Mokhlos and in the beehive tombs at Phaestos (Plate XXXII.), are only to be matched, among ancient work, by the diadems of the Twelfth Dynasty Princesses, found at Dahshur in Egypt. Silver is comparatively scarce on Minoan, as on other AEgean sites, though a number of fine silver vessels have been found at Knossos and elsewhere; and this scarcity is perhaps due, not only to the greed of the plunderers, but also to the fact that, during the greater part of the period covered by the Minoan Empire, the metal itself was actually scarcer and more valuable than gold. In Egypt, whose supplies of silver apparently came from Cilicia, it maintained a higher value than gold until the time of the Eighteenth Dynasty, or about the period of the fall of Knossos; but then and thereafter its value fell, owing to increasing supplies, below that of the more precious metal. It does not appear that the gold-silver alloy--'electrum,' of which the Egyptians were so fond--was used by the Minoans. [Illustration XXIX: MINOAN POTTERY (_pp_ 198 & 204) Reproduced from _The Journal of Hellenic Studies_, by permission of the Council of the Hellenic Society] Of the social life of the people in these prehistoric times we know practically nothing. Only one inference, possibly precarious enough, may be made from one of the features of the architecture of Knossos. There is no attempt to seclude the life of the palace from that of the town and country around it. On the contrary, the building seems almost to have been arranged with the view of affording the citizens of the Minoan Empire every facility for intercourse with the royal household. The great
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