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The Project Gutenberg EBook of How to See a Play, by Richard Burton This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: How to See a Play Author: Richard Burton Release Date: May 19, 2010 [EBook #32433] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK HOW TO SEE A PLAY *** Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at the Digital & Multimedia Center, Michigan State University Libraries.) HOW TO SEE A PLAY BY RICHARD BURTON New York THE MACMILLAN COMPANY 1914 Now here are twenty criticks ... and yet every one is a critick after his own way; that is, such a play is best because I like it. A very familiar argument, methinks, to prove the excellence of a play, and to which an author would be very unwilling to appeal for his success. --_From Farquhar's A Discourse Upon Comedy._ COPYRIGHT, 1914 BY THE MACMILLAN COMPANY Set up and Electrotyped. Published November, 1914 THE MACMILLAN COMPANY NEW YORK--BOSTON--CHICAGO DALLAS--ATLANTA--SAN FRANCISCO MACMILLAN & CO., LIMITED LONDON--BOMBAY--CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, LTD. TORONTO * * * PREFACE Chapter: I, II, III, IV, V, VI, VII, VIII, IX, X, XI NOTES * * * PREFACE This book is aimed squarely at the theater-goer. It hopes to offer a concise general treatment upon the use of the theater, so that the person in the seat may get the most for his money; may choose his entertainment wisely, avoid that which is not worth while, and appreciate the values artistic and intellectual of what he is seeing and hearing. This purpose should be borne in mind, in reading the book, for while I trust the critic and the playwright may find the discussion not without interest and sane in principle, the desire is primarily to put into the hands of the many who attend the playhouse a manual that will prove helpful and, so far as it goes, be an influence toward creating in this country that body of alert theater auditors without which good drama will not flourish. The obligation of the theater-goer to insist on sound plays is one too long overlooked;
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