the deputations already occupied, to the very centre of the choir. The
banners alone were allowed on either side of the high altar; but Marie
advanced to its steps, still dragging her car, whose wheels resounded
over the flagstones. She had at last brought it to the spot whither the
sacred madness of her desire had longingly impelled her to drag it. She
had brought it, indeed, woeful, wretched-looking as it was, into the
splendour of God's house, so that it might there testify to the truth of
the miracle. The threshold had scarcely been crossed when the organs
burst into a hymn of triumph, the sonorous acclamation of a happy people,
from amidst which there soon arose a celestial, angelic voice, of joyful
shrillness and crystalline purity. Abbe Judaine had placed the Blessed
Sacrament upon the altar, and the crowd was streaming into the nave, each
taking a seat, installing him or herself in a corner, pending the
commencement of the ceremony. Marie had at once fallen on her knees
between Madame de Jonquiere and Raymonde, whose eyes were moist with
tender emotion; whilst Father Massias, exhausted by the extraordinary
tension of the nerves which had been sustaining him ever since his
departure from the Grotto, had sunk upon the ground, sobbing, with his
head between his hands. Behind him Pierre and Berthaud remained standing,
the latter still busy with his superintendence, his eyes ever on the
watch, seeing that good order was preserved even during the most violent
outbursts of emotion.
Then, amidst all his mental confusion, increased by the deafening strains
of the organ, Pierre raised his head and examined the interior of the
Basilica. The nave was narrow and lofty, and streaked with bright
colours, which numerous windows flooded with light. There were scarcely
any aisles; they were reduced to the proportions of a mere passage
running between the side-chapels and the clustering columns, and this
circumstance seemed to increase the slim loftiness of the nave, the
soaring of the stonework in perpendicular lines of infantile, graceful
slenderness. A gilded railing, as transparent as lace, closed the choir,
where the high altar, of white marble richly sculptured, arose in all its
lavish chasteness. But the feature of the building which astonished you
was the mass of extraordinary ornamentation which transformed the whole
of it into an overflowing exhibition of embroidery and jewellery. What
with all the banners and votive of
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