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the deputations already occupied, to the very centre of the choir. The banners alone were allowed on either side of the high altar; but Marie advanced to its steps, still dragging her car, whose wheels resounded over the flagstones. She had at last brought it to the spot whither the sacred madness of her desire had longingly impelled her to drag it. She had brought it, indeed, woeful, wretched-looking as it was, into the splendour of God's house, so that it might there testify to the truth of the miracle. The threshold had scarcely been crossed when the organs burst into a hymn of triumph, the sonorous acclamation of a happy people, from amidst which there soon arose a celestial, angelic voice, of joyful shrillness and crystalline purity. Abbe Judaine had placed the Blessed Sacrament upon the altar, and the crowd was streaming into the nave, each taking a seat, installing him or herself in a corner, pending the commencement of the ceremony. Marie had at once fallen on her knees between Madame de Jonquiere and Raymonde, whose eyes were moist with tender emotion; whilst Father Massias, exhausted by the extraordinary tension of the nerves which had been sustaining him ever since his departure from the Grotto, had sunk upon the ground, sobbing, with his head between his hands. Behind him Pierre and Berthaud remained standing, the latter still busy with his superintendence, his eyes ever on the watch, seeing that good order was preserved even during the most violent outbursts of emotion. Then, amidst all his mental confusion, increased by the deafening strains of the organ, Pierre raised his head and examined the interior of the Basilica. The nave was narrow and lofty, and streaked with bright colours, which numerous windows flooded with light. There were scarcely any aisles; they were reduced to the proportions of a mere passage running between the side-chapels and the clustering columns, and this circumstance seemed to increase the slim loftiness of the nave, the soaring of the stonework in perpendicular lines of infantile, graceful slenderness. A gilded railing, as transparent as lace, closed the choir, where the high altar, of white marble richly sculptured, arose in all its lavish chasteness. But the feature of the building which astonished you was the mass of extraordinary ornamentation which transformed the whole of it into an overflowing exhibition of embroidery and jewellery. What with all the banners and votive of
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