beauty of the flesh finds its
counterpart in beauty of the mind. M. Zola has often been reproached for
showing us the vileness of human nature; and no doubt such vileness may
be found in "Paris," but there are contrasting pictures. If some of M.
Zola's characters horrify the reader, there are others that the latter
can but admire. Life is compounded of good and evil, and unfortunately it
is usually the evil that makes the most noise and attracts the most
attention. Moreover, in M. Zola's case, it has always been his purpose to
expose the evils from which society suffers in the hope of directing
attention to them and thereby hastening a remedy, and thus, in the course
of his works, he could not do otherwise than drag the whole frightful
mass of human villany and degradation into the full light of day. But if
there are, again, black pages in "Paris," others, bright and comforting,
will be found near them. And the book ends in no pessimist strain.
Whatever may be thought of the writer's views on religion, most readers
will, I imagine, agree with his opinion that, despite much social
injustice, much crime, vice, cupidity and baseness, we are ever marching
on to better things.

In the making of the coming, though still far-away, era of truth and
justice, Paris, he thinks, will play the leading part, for whatever the
stains upon her, they are but surface-deep; her heart remains good and
sound; she has genius and courage and energy and wit and fancy. She can
be generous, too, when she chooses, and more than once her ideas have
irradiated the world. Thus M. Zola hopes much from her, and who will
gainsay him? Not I, who can apply to her the words which Byron addressed
to the home of my own and M. Zola's forefathers:--

"I loved her from my boyhood; she to me
Was as a fairy city of the heart."

Thus I can but hope that Paris, where I learnt the little I know, where I
struggled and found love and happiness, whose every woe and disaster and
triumph I have shared for over thirty years, may, however dark the clouds
that still pass over her, some day fully justify M. Zola's confidence,
and bring to pass his splendid dream of perfect truth and perfect
justice.

E. A. V.

MERTON, SURREY, ENGLAND,

Feb. 5, 1898.

I. THE PRIEST AND THE POOR

THAT morning, one towards the end of January, Abbe Pierre Froment, who
had a mass to say at the Sacred Heart at Montmartre, was on the height,
in front of the basilica, a