FREE BOOKS

Author's List




PREV.   NEXT  
|<   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42  
43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   >>   >|  
own as many to the entrance. There are two other temples, particularly worth notice, not so much for the magnificence of the structure, as for the customs that depend upon them, and the remarkable use to which they were put. These are the temples of Saturn and Janus. The first was famous on account of serving for the public treasury--the reason of which some fancy to have been because Saturn first taught the Italians to coin money; but most probably it was because this was the strongest place in the city. Here were preserved all the public registers and records, among which were the _libri elephantini_, or great ivory tables, containing a list of all the tribes and the schemes of the public accounts. The other was a square building, some say of entire brass, so large as to contain a statue of Janus, five feet high, with brazen gates on each side, which were kept open in war, and shut in time of peace. CHAPTER VIII. _Of other public Buildings._ Theatres, so called from the Greek {theaomai}, to see, owe their origin to Bacchus. That the theatres and amphitheatres were two different sorts of edifices, was never questioned, the former being built in the shape of a semicircle; the other generally oval, so as to make the same figure as if two theatres should be joined together. Yet the same place is often called by these names in several authors. They seem, too, to have been designed for quite different ends: the theatres for stage plays, the amphitheatres for the greater shows of gladiators, wild beasts, &c. The following are the most important parts of both. _Scena_ was a partition reaching quite across the theatre, being made either to turn round or draw up, to present a new prospect to the spectators. _Proscenium_ was the space of ground just before the scene, where the _pulpitum_ stood, into which the actors came from behind the scenes to perform. The middle part, or area of the amphitheatre, was called _cavae_, because it was considerably lower than the other parts, whence perhaps, the name of pit in our play houses was borrowed; and arena, because it used to be strown with sand, to hinder the performers from slipping. There was a threefold distinction of the seats, according to the ordinary division of the people into senators, knights, and commons. The first range was called orchestra, from {orcheisthai}, because in that part of the Grecian theatres, the dances were performed; the seco
PREV.   NEXT  
|<   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42  
43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   >>   >|  



Top keywords:

called

 

public

 

theatres

 
Saturn
 

temples

 

amphitheatres

 

present

 

partition

 

reaching

 
spectators

prospect

 

theatre

 

authors

 
designed
 

beasts

 

gladiators

 

Proscenium

 

greater

 

important

 

threefold


slipping

 

distinction

 
performers
 

hinder

 

borrowed

 

strown

 

ordinary

 
division
 

Grecian

 
orcheisthai

dances
 

performed

 
orchestra
 

people

 
senators
 

knights

 

commons

 

houses

 

actors

 

scenes


pulpitum

 

ground

 

perform

 

middle

 

joined

 

amphitheatre

 

considerably

 

Bacchus

 
strongest
 

taught