re," and their fingers
crossed in following the windings of the amorous rivers. The young
Poquelin ventured to raise a timid voice and his melancholy but acute
glance, and said:
"What purpose does this serve? Is it to give happiness or pleasure?
Monsieur seems to me not singularly happy, and I do not feel very gay."
The only reply he got was a general look of contempt; he consoled himself
by meditating, 'Les Precieuses Ridicules'.
Desbarreaux prepared to read a pious sonnet, which he was penitent for
having composed in an illness; he seemed to be ashamed of having thought
for a moment upon God at the sight of his lightning, and blushed at the
weakness. The mistress of the house stopped him.
"It is not yet time to read your beautiful verses; you would be
interrupted. We expect Monsieur le Grand Ecuyer and other gentlemen; it
would be actual murder to allow a great mind to speak during this noise
and confusion. But here is a young Englishman who has just come from
Italy, and is on his return to London. They tell me he has composed a
poem--I don't know what; but he'll repeat some verses of it. Many of you
gentlemen of the Academy know English; and for the rest he has had the
passages he is going to read translated by an ex-secretary of the Duke of
Buckingham, and here are copies in French on this table."
So saying, she took them and distributed them among her erudite visitors.
The company seated themselves, and were silent. It took some time to
persuade the young foreigner to speak or to quit the recess of the
window, where he seemed to have come to a very good understanding with
Corneille. He at last advanced to an armchair placed near the table; he
seemed of feeble health, and fell into, rather than seated himself in,
the chair. He rested his elbow on the table, and with his hand covered
his large and beautiful eyes, which were half closed, and reddened with
nightwatches or tears. He repeated his fragments from memory. His
doubting auditors looked at him haughtily, or at least patronizingly;
others carelessly glanced over the translation of his verses.
His voice, at first suppressed, grew clearer by the very flow of his
harmonious recital; the breath of poetic inspiration soon elevated him to
himself; and his look, raised to heaven, became sublime as that of the
young evangelist, conceived by Raffaello, for the light still shone on
it. He narrated in his verses the first disobedience of man, and invoked
the H
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