l not be
ready, a certain number of children will not be able to play at the
school recital. Such children should be gathered together at the end of
the term, and should play to the mistress who organizes the work. In
this way they too will gain experience, and a little focus will have
been made for their work.
We must add one final suggestion. Each music mistress should keep a
register, in which she notes not only the names of her pupils, the times
of their lessons, absences, late arrivals, &c., but an exact list of all
the work done by them, with dates. This is invaluable, not only for
gauging their progress, but as a means of quickly ascertaining their
work in musical literature. It is, alas! a day of examinations, and with
the many little books of studies and pieces which have to be got up for
outside examinations there is a serious fear of the systematic education
of a child in classical musical literature being interrupted, or, at any
rate, put on one side for a time. Such a book makes it possible for the
mistress to keep a definite scheme of work in view for each pupil, and
the busier the mistress, the more she will need some such aid to her
memory.
The pupil should also keep a register, in which she notes the exact
amount of time spent daily in practising, and the way in which she
divides it. This book should be brought to each music lesson, and should
also be shown to the supervising mistress at the end of each term.
CHAPTER XIV
SUGGESTIONS TO STUDENTS ON LEAVING
A TRAINING DEPARTMENT
In finishing a course of training along the lines we have been
considering, it is well to take a bird's-eye view of what has been done.
In all communal work the results fall roughly under two heads:
1. The getting of new ideas, and of new ways of presenting old ideas.
2. The development of character, due to the mixing with fellow students
and with those who are directing the work.
So far as the actual work is concerned, stress has been laid on the
following:
1. The necessity of considering music as a language.
2. Various methods for teaching in accordance with this idea.
3. The principle of the inclusion of the work in the regular curriculum
of schools, with class treatment.
In the short space of one year, which is all that can be generally
spared by the student, it is impossible for her to realize the full
bearing of all that has been done. It is only when we see such work in
perspective, aft
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