FREE BOOKS

Author's List




PREV.   NEXT  
|<   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112  
113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   >>   >|  
rude, in spite of their having been baked through by the centuries, only because, although certain rude arches and carvings are let into them and they are surmounted at either end with a small gable, they have (so far as I can remember) little fascination of surface. Notre Dame is still expressive, still pretends to be alive; but the temple has delivered its message and is completely at rest. It retains a kind of atrium, on the level of the street, from which you descend to the original floor, now uncovered, but buried for years under a false bottom. A semicircular apse was, apparently at the time of its conversion into a church, thrown out from the east wall. In the middle is the cavity of the old baptismal font. The walls and vaults are covered with traces of extremely archaic frescoes, attributed, I believe, to the twelfth century. These vague, gaunt, staring fragments of figures are, to a certain extent, a reminder of some of the early Christian churches in Rome; they even faintly recalled to me the great mosaics of Ravenna. The Temple de Saint-Jean has neither the antiquity nor the completeness of those extraordinary monuments, nearly the most impressive in Europe; but, as one may say, it is very well for Poitiers. Not far from it, in a lonely corner which was animated for the moment by the vociferations of several old women who were selling tapers, presumably for the occasion of a particular devotion, is the graceful romanesque church erected in the twelfth century to Saint Radegonde--a lady who found means to be a saint even in the capacity of a Merovingian queen. It bears a general resemblance to Notre Dame la Grande, and, as I remember it, is corrugated in somewhat the same manner with porous-looking carvings; but I confess that what I chiefly recollect is the row of old women sitting in front of it, each with a tray of waxen tapers in her lap, and upbraiding me for my neglect of the opportunity to offer such a tribute to the saint. I know not whether this privilege is occasional or constant; within the church there was no appearance of a festival, and I see that the name-day of Saint Radegonde occurs in August, so that the importunate old women sit there always perhaps and deprive of its propriety the epithet I just applied to this provincial corner. In spite of the old women, however, I suspect that the place is lonely; and indeed it is perhaps the old women who have made the desolation. The lion of Poiti
PREV.   NEXT  
|<   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112  
113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   >>   >|  



Top keywords:

church

 

tapers

 

Radegonde

 

corner

 

lonely

 
carvings
 

remember

 

century

 

twelfth

 

Merovingian


capacity
 

manner

 

porous

 

corrugated

 

resemblance

 

Grande

 

general

 
animated
 

moment

 

vociferations


Poitiers

 

selling

 

romanesque

 

erected

 

graceful

 

devotion

 
occasion
 
importunate
 

August

 
deprive

occurs

 

appearance

 

festival

 
propriety
 

epithet

 

desolation

 

suspect

 

applied

 
provincial
 

constant


sitting

 

chiefly

 

recollect

 

upbraiding

 

privilege

 

occasional

 
tribute
 
neglect
 

opportunity

 

confess