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t where the aqueduct that crosses the Gardon in the wondrous manner I had seen discharged itself, the picture of a splendid paganism seemed vaguely to glow. Roman baths--Roman baths; those words alone were a scene. Everything was changed: I was strolling in a _jardin francais_; the bosky slope of the Mont Cavalier (a very modest mountain), hanging over the place, is crowned with a shapeless tower, which is as likely to be of mediaeval as of antique origin; and yet, as I leaned on the parapet of one of the fountains, where a flight of curved steps (a hemicycle, as the French say) descended into a basin full of dark, cool recesses, where the slabs of the Roman foundations gleam through the clear green water--as in this attitude I surrendered myself to contemplation and reverie, it seemed to me that I touched for a moment the ancient world. Such moments are illuminating, and the light of this one mingles, in my memory, with the dusky greenness of the Jardin de la Fontaine. The fountain proper--the source of all these distributed waters--is the prettiest thing in the world, a reduced copy of Vaucluse. It gushes up at the foot of the Mont Cavalier, at a point where that eminence rises with a certain cliff-like effect, and, like other springs in the same circumstances, appears to issue [Illustration: NIMES--THE CATHEDRAL] from the rock with a sort of quivering stillness. I trudged up the Mont Cavalier--it is a matter of five minutes--and having committed this cockneyism, enhanced it presently by another. I ascended the stupid Tour Magne, the mysterious structure I mentioned a moment ago. The only feature of this dateless tube, except the inevitable collection of photographs to which you are introduced by the doorkeeper, is the view you enjoy from its summit. This view is of course remarkably fine, but I am ashamed to say I have not the smallest recollection of it; for while I looked into the brilliant spaces of the air I seemed still to see only what I saw in the depths of the Roman baths--the image, disastrously confused and vague, of a vanished world. This world, however, has left at Nimes a far more considerable memento than a few old stones covered with water-moss. The Roman arena is the rival of those of Verona and of Arles; at a respectful distance it emulates the Colosseum. It is a small Colosseum, if I may be allowed the expression, and is in much better preservation than the great circus at Rome. This is especia
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