FREE BOOKS

Author's List




PREV.   NEXT  
|<   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126  
127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   >>   >|  
rg of Saint-Cyprien, by a stout brick bridge. This hapless suburb, the baseness of whose site is noticeable, lay for days under the water at the time of the last inundations. The Garonne had almost mounted to the roofs of the houses, and the place continues to present a blighted, frightened look. Two or three persons with whom I had some conversation spoke of that time as a memory of horror. I have not done with my Italian comparisons; I shall never have done with them. I am therefore free to say that in the way in which Toulouse looks out on the Garonne there was something that reminded me vaguely of the way in which Pisa looks out on the Arno. The red-faced houses--all of brick--along the quay have a mixture of brightness and shabbiness, as well as the fashion of the open _loggia_ in the top-storey. The river, with another bridge or two, might be the Arno, and the buildings on the other side of it--a hospital, a suppressed convent--dip their feet into it with real southern cynicism. I have spoken of the old Hotel d'Assezat as the best house at Toulouse; with the exception of the cloister of the museum, it is the only "bit" I remember. It has fallen from the state of a noble residence of the sixteenth century to that of a warehouse and a set of offices; but a certain dignity lingers in its melancholy court, which is divided from the street by a gateway that is still imposing and in which a clambering vine and a red Virginia-creeper were suspended to the rusty walls of brick and stone. The most interesting house at Toulouse is far from being the most striking. At the door of No. 50 Rue des Filatiers, a featureless, solid structure, was found [Illustration: TOULOUSE--THE GARONNE] hanging, one autumn evening, the body of the young Marc-Antoine Calas, whose ill-inspired suicide was to be the first act of a tragedy so horrible. The fanaticism aroused in the townsfolk by this incident; the execution by torture of Jean Calas, accused as a Protestant of having hanged his son, who had gone over to the Church of Rome; the ruin of the family; the claustration of the daughters; the flight of the widow to Switzerland; her introduction to Voltaire; the excited zeal of that incomparable partisan and the passionate persistence with which, from year to year, he pursued a reversal of judgment till at last he obtained it and devoted the tribunal of Toulouse to execration and the name of the victims to lasting wonder and pity--these
PREV.   NEXT  
|<   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126  
127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   >>   >|  



Top keywords:

Toulouse

 

houses

 

bridge

 

Garonne

 

structure

 

Filatiers

 
featureless
 

Illustration

 

TOULOUSE

 

Antoine


victims

 

evening

 
autumn
 

GARONNE

 

hanging

 

lasting

 

imposing

 
clambering
 
gateway
 

street


lingers

 
melancholy
 

divided

 
Virginia
 
creeper
 

interesting

 

striking

 

suspended

 
Church
 

family


pursued

 

hanged

 

claustration

 

daughters

 

excited

 

Voltaire

 

incomparable

 

passionate

 

introduction

 
flight

persistence

 
Switzerland
 

Protestant

 

execration

 
fanaticism
 

aroused

 

townsfolk

 

horrible

 
suicide
 

partisan