FREE BOOKS

Author's List




PREV.   NEXT  
|<   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34  
35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   >>   >|  
e: Pope's celebrated verse,-- "Drink deep, or taste not the Pierian spring,"-- is "conveyed" from this passage of Drayton.] Comparisons between modern and ancient poets must necessarily be very imperfect; yet our Drayton might not inaptly be termed the English Theocritus. If not so distinctly superior to every other English pastoral poet as Theocritus was to every other Greek, he yet stands in the front rank. He is utterly free from affectation, the great vice of pastoral poetry; his love of the country is sincere; his perception of natural phenomena exquisite; his shepherds and shepherdesses real swains and lasses; he has happily varied the conventional form of the pastoral by a felicitous lyrical treatment. Paradoxical as it may appear, Drayton was partly enabled to approach Theocritus so nearly by knowing him so imperfectly. Had he been acquainted with him otherwise than through Virgil, he would probably have been unable to refrain from direct imitation; but as matters stand, instead of a poet striving to write as Theocritus wrote in Greek, we have one actually writing as Theocritus would have written in English. But the most remarkable point of contact between Drayton and Theocritus is that both are epical as well as pastoral poets. Two of the Idylls of Theocritus are believed to be fragments of an epic on the exploits of Hercules; and in the enumeration of his lost works, amid others of the same description, mention is made of the "Heroines," a curious counterpart of Drayton's "Heroicall Epistles." Had these works survived, we might not improbably have found Drayton surpassing his prototype in epic as much as he falls below him in pastoral; for the more exquisite art of the Sicilian could hardly have made amends for the lack of that national pride and enthusiastic patriotism which had died out of his age, but which ennobled the strength and upbore the weakness of the author of "The Battaile of Agincourt." RICHARD GARNETT. [Illustration: EFFIGIES MICHAELIS DRAYTON ARMIGERI, POETAE CLARISS. AETAT. SVAE L. A. CHR. [M].DC.XIII _Lux Hareshulla tibi Warwici villa, tenebris, Ante tuas Cunas, obsita Prima fuit. Arma, Viros, Veneres, Patriam modulamine dixti: Te Patriae resonant Arma, Viri, Veneres._] THE BATTAILE OF AGINCOVRT. FOVGHT BY HENRY THE fift of that name, King of _England_, against the whole power of the _French_:
PREV.   NEXT  
|<   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34  
35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   >>   >|  



Top keywords:
Theocritus
 

Drayton

 

pastoral

 

English

 

exquisite

 

Veneres

 
amends
 

Sicilian

 

FOVGHT

 

AGINCOVRT


patriotism

 

national

 

enthusiastic

 

surpassing

 
description
 

mention

 

Heroines

 

French

 

curious

 

prototype


England
 

improbably

 

survived

 
counterpart
 
Heroicall
 

Epistles

 

upbore

 

Warwici

 

tenebris

 

Hareshulla


modulamine

 

Patriam

 

Patriae

 

obsita

 

resonant

 

Battaile

 

Agincourt

 
RICHARD
 

GARNETT

 

author


ennobled

 

strength

 
weakness
 
BATTAILE
 

Illustration

 

enumeration

 
CLARISS
 

POETAE

 
EFFIGIES
 

MICHAELIS