al air. Ah, what it is to have
faith! Landor, Landor, you are incorrigible! Don't you think so,
Giallo?" asked the master of his dog. "I never heard Moore sing, much to
my regret. I once asked him, but he excused himself with a sigh, saying
that he had lost his voice."
* * * * *
One of Landor's prominent characteristics was generosity, carried to the
verge of rashness. Even in his last years, when living on a very limited
income, he was only too ready to empty his pockets at the call of any
charity, whether public or private. Impulse, however, prompted him to
give most heartily when he thought to further the cause of liberty. At
the time a subscription was opened in Florence to aid Garibaldi's
Sicilian expedition, Landor, anxious to lay an offering at the feet of
his heart's hero, pulled out his watch, the only article of value about
him, and begged Mr. Browning to present it to the fund. Mr. Browning
took it, but knowing how lost the old man would be without his
timepiece, kept it for a few days; and then, seizing a favorable moment
when Landor was missing his watch greatly, though without murmuring, Mr.
Browning persuaded him to retain it. This he did, with reluctance, after
being assured of the fund's prosperous condition. It was about the same
time, I think, that Landor wrote an Italian Conversation between
Savonarola and the Prior of San Marco, which he published in pamphlet
form for the benefit of this or a similar cause. Most admirably did
Landor write Italian, his wonderful knowledge of Latin undoubtedly
giving him the key to the soft, wooing tongue. He, of course, spoke the
language with equal correctness; but, as with most Englishmen who go to
Italy after having arrived at mature years, his pronunciation was
_proprio Inglese_.
Landor would never accept payment for his books, presenting the amount
due him either to the publisher, or, more generally, to some friend who
had been most active in aiding their publication. Few will applaud this
idiosyncrasy, the general and sensible opinion being that the laborer is
worthy of his hire: but Landor took peculiar pride in writing for fame
alone, without thought of the more tangible product of genius; and,
unlike most authors, he could well afford to indulge in this heroic
taste. Three years ago--and for the first time in his life, he
said--Landor accepted payment for a Conversation contributed to the
London Athenaeum. The money had n
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