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tly he stood still and looked about the room. He was getting impatient. Irritability crept through him. He almost hated Mrs. Clarke for keeping him waiting so long. "Why the devil doesn't she come?" he thought. He stood trying to control his nervous anger, clenching his muscular hands, and looking from one piece of furniture to another, from one ornament to another ornament, with quickly shifting eyes. His attention was attracted by something unusual in the room which he had not noticed till now. On a writing-table of ebony near one of the windows he saw a large photograph in a curious frame of ruddy arbutus wood. He had never before seen a photograph in any room lived in by Mrs. Clarke, and he had heard her say that photographs killed a room, and might easily kill, too, with their staring impotence, any affection one felt for the friends they represented. Whose photograph could this be which triumphed over such a dislike? He walked to the table, bent down and saw a standing boy in flannels, bare-headed, with thick, disordered hair and bare arms, holding in his large hands a cricket bat. It was Jimmy, and his eyes looked straight into Dion's. A door clicked. There was a faint rustling. Mrs. Clarke walked into the room. Dion turned round. "What's this photograph doing here?" he asked roughly. "Doing?" "Yes. You hate photographs. I've heard you say so." "Jimmy gave it to me on my birthday just before he left for England. It's quite a good one." "You are going to keep it here?" "Yes. I am going to keep it here. Come and sit down." He did not move. "Jimmy loathes me," he said. "Nonsense." "He does. Through you he has come to loathe me, and you keep his photograph here----" "I don't allow any one to criticize what I do in my own drawing-room," she interrupted. "You are really childish to-day." His intense irritability had communicated itself to her. She felt an almost reckless desire to get rid of him. His look of embittered wretchedness tormented her nerves. She wondered how it had ever been able to interest her, even to lure her. She was amazed at her own perversity. "I cannot allow you to come here if you are going to try to interfere with my arrangements," she added, with a sort of fierce coldness. "I have a right to come here." "You have not. You have no rights over me, none at all. I have made a great many sacrifices for you, far too many, but I shall never sacrifice my
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