ion is that the
water will be feet deep in Canal street before the first of next June.
Mrs. Turner's plantation at the head of Big Black Island is all under
water, and it has not been since 1815.

'I. Sellers.']}

became the text for my first newspaper article. I burlesqued it
broadly, very broadly, stringing my fantastics out to the extent of
eight hundred or a thousand words. I was a 'cub' at the time. I showed
my performance to some pilots, and they eagerly rushed it into print in
the 'New Orleans True Delta.' It was a great pity; for it did nobody
any worthy service, and it sent a pang deep into a good man's heart.
There was no malice in my rubbish; but it laughed at the captain. It
laughed at a man to whom such a thing was new and strange and dreadful.
I did not know then, though I do now, that there is no suffering
comparable with that which a private person feels when he is for the
first time pilloried in print.

Captain Sellers did me the honor to profoundly detest me from that day
forth. When I say he did me the honor, I am not using empty words. It
was a very real honor to be in the thoughts of so great a man as Captain
Sellers, and I had wit enough to appreciate it and be proud of it. It
was distinction to be loved by such a man; but it was a much greater
distinction to be hated by him, because he loved scores of people; but
he didn't sit up nights to hate anybody but me.

He never printed another paragraph while he lived, and he never again
signed 'Mark Twain' to anything. At the time that the telegraph brought
the news of his death, I was on the Pacific coast. I was a fresh new
journalist, and needed a nom de guerre; so I confiscated the ancient
mariner's discarded one, and have done my best to make it remain what it
was in his hands--a sign and symbol and warrant that whatever is found
in its company may be gambled on as being the petrified truth; how I
have succeeded, it would not be modest in me to say.

The captain had an honorable pride in his profession and an abiding love
for it. He ordered his monument before he died, and kept it near him
until he did die. It stands over his grave now, in Bellefontaine
cemetery, St. Louis. It is his image, in marble, standing on duty at the
pilot wheel; and worthy to stand and confront criticism, for it
represents a man who in life would have stayed there till he burned to a
cinder, if duty required it.

The finest thing we saw on our whole Mississippi t