own to the limitless level campagna--a green carpet that
enchants the eye and leads it on and on, past clusters of trees, and
isolated houses, and snowy villages, until it shreds out in a fringe of
mist and general vagueness far away. It is from the Hermitage, there on
the side of Vesuvius, that one should "see Naples and die."

But do not go within the walls and look at it in detail. That takes away
some of the romance of the thing. The people are filthy in their habits,
and this makes filthy streets and breeds disagreeable sights and smells.
There never was a community so prejudiced against the cholera as these
Neapolitans are. But they have good reason to be. The cholera generally
vanquishes a Neapolitan when it seizes him, because, you understand,
before the doctor can dig through the dirt and get at the disease the man
dies. The upper classes take a sea-bath every day, and are pretty
decent.

The streets are generally about wide enough for one wagon, and how they
do swarm with people! It is Broadway repeated in every street, in every
court, in every alley! Such masses, such throngs, such multitudes of
hurrying, bustling, struggling humanity! We never saw the like of it,
hardly even in New York, I think. There are seldom any sidewalks, and
when there are, they are not often wide enough to pass a man on without
caroming on him. So everybody walks in the street--and where the street
is wide enough, carriages are forever dashing along. Why a thousand
people are not run over and crippled every day is a mystery that no man
can solve. But if there is an eighth wonder in the world, it must be the
dwelling-houses of Naples. I honestly believe a good majority of them
are a hundred feet high! And the solid brick walls are seven feet
through. You go up nine flights of stairs before you get to the "first"
floor. No, not nine, but there or thereabouts. There is a little
bird-cage of an iron railing in front of every window clear away up, up,
up, among the eternal clouds, where the roof is, and there is always
somebody looking out of every window--people of ordinary size looking
out from the first floor, people a shade smaller from the second, people
that look a little smaller yet from the third--and from thence upward
they grow smaller and smaller by a regularly graduated diminution, till
the folks in the topmost windows seem more like birds in an uncommonly
tall martin-box than any thing else. The perspective