first, but I
began to get dissatisfied at the idea of paying my minion five francs to
hold my mule back by the tail and keep him from going up the hill, and so
I discharged him. I got along faster then.
We had one magnificent picture of Naples from a high point on the
mountain side. We saw nothing but the gas lamps, of course--two-thirds
of a circle, skirting the great Bay--a necklace of diamonds glinting up
through the darkness from the remote distance--less brilliant than the
stars overhead, but more softly, richly beautiful--and over all the great
city the lights crossed and recrossed each other in many and many a
sparkling line and curve. And back of the town, far around and abroad
over the miles of level campagna, were scattered rows, and circles, and
clusters of lights, all glowing like so many gems, and marking where a
score of villages were sleeping. About this time, the fellow who was
hanging on to the tail of the horse in front of me and practicing all
sorts of unnecessary cruelty upon the animal, got kicked some fourteen
rods, and this incident, together with the fairy spectacle of the lights
far in the distance, made me serenely happy, and I was glad I started to
Vesuvius.
ASCENT OF MOUNT VESUVIUS--CONTINUED.
This subject will be excellent matter for a chapter, and tomorrow or next
day I will write it.
CHAPTER XXX.
ASCENT OF VESUVIUS--CONTINUED.
"See Naples and die." Well, I do not know that one would necessarily die
after merely seeing it, but to attempt to live there might turn out a
little differently. To see Naples as we saw it in the early dawn from
far up on the side of Vesuvius, is to see a picture of wonderful beauty.
At that distance its dingy buildings looked white--and so, rank on rank
of balconies, windows and roofs, they piled themselves up from the blue
ocean till the colossal castle of St. Elmo topped the grand white pyramid
and gave the picture symmetry, emphasis and completeness. And when its
lilies turned to roses--when it blushed under the sun's first kiss--it
was beautiful beyond all description. One might well say, then, "See
Naples and die." The frame of the picture was charming, itself. In
front, the smooth sea--a vast mosaic of many colors; the lofty islands
swimming in a dreamy haze in the distance; at our end of the city the
stately double peak of Vesuvius, and its strong black ribs and seams of
lava stretching d
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