ed--three miles
an hour--is maintained both ways. Whether going up or down,
the locomotive is always at the lower end of the train.
It pushes in the one case, braces back in the other.
The passenger rides backward going up, and faces forward
going down.

We got front seats, and while the train moved along
about fifty yards on level ground, I was not the
least frightened; but now it started abruptly downstairs,
and I caught my breath. And I, like my neighbors,
unconsciously held back all I could, and threw my weight
to the rear, but, of course, that did no particular good.
I had slidden down the balusters when I was a boy,
and thought nothing of it, but to slide down the balusters
in a railway-train is a thing to make one's flesh creep.
Sometimes we had as much as ten yards of almost level
ground, and this gave us a few full breaths in comfort;
but straightway we would turn a corner and see a long steep
line of rails stretching down below us, and the comfort
was at an end. One expected to see the locomotive pause,
or slack up a little, and approach this plunge cautiously,
but it did nothing of the kind; it went calmly on, and went
it reached the jumping-off place it made a sudden bow,
and went gliding smoothly downstairs, untroubled by
the circumstances.

It was wildly exhilarating to slide along the edge of
the precipices, after this grisly fashion, and look straight
down upon that far-off valley which I was describing a while ago.

There was no level ground at the Kaltbad station;
the railbed was as steep as a roof; I was curious
to see how the stop was going to be managed.
But it was very simple; the train came sliding down,
and when it reached the right spot it just stopped--that
was all there was "to it"--stopped on the steep incline,
and when the exchange of passengers and baggage had
been made, it moved off and went sliding down again.
The train can be stopped anywhere, at a moment's notice.

There was one curious effect, which I need not take the
trouble to describe--because I can scissor a description
of it out of the railway company's advertising pamphlet,
and save my ink:

"On the whole tour, particularly at the Descent, we undergo
an optical illusion which often seems to be incredible.
All the shrubs, fir trees, stables, houses, etc., seem to be bent
in a slanting direction, as by an immense pressure of air.
They are all standing awry, so much awry that the chalets
and cottages of the peasa