uayaquil,"--hats so
called because they are manufactured by Indian tribes who dwell upon the
Pacific coast, and are made out of a rare sea-grass, which is found near
the above-mentioned places. A good Guayaquil hat will cost 20_l._; and
although, with its broad curling brim and low crown, it looks not much
better than Leghorn or even fine straw, yet it is far superior to
either, both as a protection against rain, or, what is of more
importance in southern countries, against a hot tropical sun. The best
of them will wear half a life-time. Don Pablo's "sombrero" was one of
the very best and costliest; and this, combined with the style of his
other habiliments, betokened that the wearer was one of the "ricos," or
high class of his country.
The costume of his wife, who was a dark and very beautiful Spanish
woman, would have strengthened this idea. She wore a dress of black silk
with velvet bodice and sleeves, tastefully embroidered. A mantilla of
dark cloth covered her shoulders, and on her head was a low
broad-brimmed hat, similar to those usually worn by men, for a bonnet is
a thing unknown to the ladies of Spanish America. A single glance at the
Dona Isidora would have satisfied any one that she was a lady of rank
and refinement.
There were two children, upon which, from time to time, she gazed
tenderly. They were her only ones. They were a boy and girl, nearly of
equal size and age. The boy was the elder, perhaps thirteen or more, a
handsome lad, with swarth face, coal-black eyes, and curly full-flowing
dark hair. The girl, too, who would be about twelve, was dark--that is
to say, brunette in complexion. Her eyes were large, round, and dreamy,
with long lashes that kept the sun from shining into them, and thus
deepened their expression.
Perhaps there are no children in the world so beautiful as those of the
Spanish race. There is a smoothness of skin, a richness in colour, and a
noble "hidalgo" expression in their round black eyes that is rare in
other countries. Spanish women retain this expression to a good age. The
men lose it earlier, because, as I believe, they are oftener of
corrupted morals and habits; and these, long exercised, certainly stamp
their lines upon the face. Those which are mean, and low, and vicious,
produce a similar character of countenance, while those which are high,
and holy, and virtuous, give it an aspect of beauty and nobility.
Of all beautiful Spanish children none could have been m
|