Walter Crane, and Mr.
Strudwick."
6.--FISH SHOP.
"Those who feel painfully the absence in these works of any feeling
for the past glories of Venice."
_'Arry in the Spectator._
"Whistler is eminently vulgar."--_Glasgow Herald._
7.--TURKEYS.
"They say very little to the mind."--_F. Wedmore._
"It is the artist's pleasure to have them there, and we can't help
it."--_Edinburgh Courant._
8.--NOCTURNE RIVA.
"The Nocturne is intended to convey an impression of night."--_P. G.
Hamerton._
"The subject did not admit of any drawing."
_P. G. Hamerton._
"We have seen a great many representations of Venetian skies, but
never saw one before consisting of brown smoke with clots of ink in
diagonal lines."
9.--FRUIT STALL.
"The historical or poetical associations of cities have little charm
for Mr. Whistler and no place in his art."
10.--SAN GIORGIO.
"An artist of incomplete performance."
_F. Wedmore._
11.--THE DYER.
"By having as little to do as possible with tone and light and shade,
Mr. Whistler evades great difficulties."--_P. G. Hamerton._
"All those theoretical principles of the art, of which we have heard
so much from Messrs. Haden, Hamerton(?)[23] and Lalauze, are
abandoned."
_St. James's Gazette._
[Note 23: "Calling me 'a Mr. Hamerton' does me no
harm--but it is a breach of ordinary good manners in
speaking of a well-known writer."
Yours obediently, P. G. HAMERTON.
Sept. 29, 1880. To the Editor of the _New York
Tribune_.]
12.--NOCTURNE PALACES.
"Pictures in darkness are contradictions in terms."
_Literary World._
13.--THE DOORWAY.
"There is seldom in his Etchings any large arrangement of light and
shade."--_P. G. Hamerton._
"Short, scratchy lines."--_St. James's Gazette._
"The architectural ornaments and the interlacing bars of the gratings
are suggested rather than drawn."
_St. James's Gazette._
"Amateur prodige."--_Saturday Review._
14.--LONG LAGOON.
"We think that London fogs and the muddy old Thames supply Mr.
Whistler's needle with subjects more congenial than do the Venetian
palaces and la
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