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Walter Crane, and Mr. Strudwick." 6.--FISH SHOP. "Those who feel painfully the absence in these works of any feeling for the past glories of Venice." _'Arry in the Spectator._ "Whistler is eminently vulgar."--_Glasgow Herald._ 7.--TURKEYS. "They say very little to the mind."--_F. Wedmore._ "It is the artist's pleasure to have them there, and we can't help it."--_Edinburgh Courant._ 8.--NOCTURNE RIVA. "The Nocturne is intended to convey an impression of night."--_P. G. Hamerton._ "The subject did not admit of any drawing." _P. G. Hamerton._ "We have seen a great many representations of Venetian skies, but never saw one before consisting of brown smoke with clots of ink in diagonal lines." 9.--FRUIT STALL. "The historical or poetical associations of cities have little charm for Mr. Whistler and no place in his art." 10.--SAN GIORGIO. "An artist of incomplete performance." _F. Wedmore._ 11.--THE DYER. "By having as little to do as possible with tone and light and shade, Mr. Whistler evades great difficulties."--_P. G. Hamerton._ "All those theoretical principles of the art, of which we have heard so much from Messrs. Haden, Hamerton(?)[23] and Lalauze, are abandoned." _St. James's Gazette._ [Note 23: "Calling me 'a Mr. Hamerton' does me no harm--but it is a breach of ordinary good manners in speaking of a well-known writer." Yours obediently, P. G. HAMERTON. Sept. 29, 1880. To the Editor of the _New York Tribune_.] 12.--NOCTURNE PALACES. "Pictures in darkness are contradictions in terms." _Literary World._ 13.--THE DOORWAY. "There is seldom in his Etchings any large arrangement of light and shade."--_P. G. Hamerton._ "Short, scratchy lines."--_St. James's Gazette._ "The architectural ornaments and the interlacing bars of the gratings are suggested rather than drawn." _St. James's Gazette._ "Amateur prodige."--_Saturday Review._ 14.--LONG LAGOON. "We think that London fogs and the muddy old Thames supply Mr. Whistler's needle with subjects more congenial than do the Venetian palaces and la
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