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The Project Gutenberg EBook of The Art of Interior Decoration, by Grace Wood This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Art of Interior Decoration Author: Grace Wood Release Date: December 8, 2004 [EBook #14298] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE ART OF INTERIOR DECORATION *** Produced by Stan Goodman, Karen Dalrymple, and the Online Distributed Proofreading Team THE ART OF INTERIOR DECORATION PLATE I There is something unusually exquisite about this composition. You will discover at a glance perfect balance, repose--line, everywhere, yet with it infinite grace and a winning charm. One can imagine a tea tray brought in, a table placed and those two attractive chairs drawn together so that my lady and a friend may chat over the tea cups. The mirror is an Italian Louis XVI. The sconces, table and chairs, French. The vases, Italian, all antiques. A becoming mellow light comes through the shade of deep cream Italian parchment paper with Louis XVI decorations. It should be said that the vases are Italian medicine jars--literally that. They were once used by the Italian chemists, for their drugs, and some are of astonishing workmanship and have great intrinsic value, as well as the added value of age and uniqueness. The colour scheme is as attractive as the lines. The walls are grey, curtains of green and grey, antique taffeta being used, while the chairs have green silk on their seats and the table is of green and faded gold. The green used is a wonderfully beautiful shade. [Illustration: _Portion of a Drawing Room, Perfect in Composition and Detail_] THE ART OF INTERIOR DECORATION BY GRACE WOOD AND EMILY BURBANK _ILLUSTRATED_ NEW YORK DODD, MEAD AND COMPANY 1917 DEDICATED TO A.M.M. _At the age of eighty, an inspiration to all who meet her, because she is the embodiment of what this book stands for; namely, fidelity to the principles of Classic Art and watchfulness for the vital new note struck in the cause of the Beautiful._ FOREWORD If yo
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