rk Apartment. Painted Furniture, Antique
and Reproductions.
PLATE XXIV Example of Lack of Balance in Mantel Arrangement.
PLATE XXV Treatment of Ground Lying Between House and Much Travelled
Country Road.
PLATE XXVI An Extension Roof in New York Converted into a Balcony.
PLATE XXVII A Common-place Barn Made Interesting.
PLATE XXVIII Narrow Entrance Hall of a New York Antique Shop.
PLATE XXIX Example of a Charming Hall Spoiled by Too Pronounced a Rug.
PLATE XXX A Man's Library.
PLATE XXXI A Collection of Empire Furniture, Ornaments, and China.
PLATE XXXII Italian Reproductions in Pottery After Classic Models.
"Those who duly consider the influence of the _fine-arts_ on the
_human mind_, will not think it a small benefit to the world, to
diffuse their productions as wide, and preserve them as long as
possible. The multiplying of copies of fine work, in beautiful
and durable materials, must obviously have the same effect in
respect to the arts as the invention of printing has upon
literature and the sciences: by their means the principal
productions of both kinds will be forever preserved, and will
effectually prevent the return of ignorant and barbarous ages."
JOSIAH WEDGWOOD: Catalogue of 1787.
One of the most joyful obligations in life should be the planning and
executing of BEAUTIFUL HOMES, keeping ever in mind that distinction is
not a matter of scale, since a vast palace may find its rival in the
smallest group of rooms, provided the latter obeys the law of _good
line, correct proportions, harmonious colour scheme and
appropriateness_: a law insisting that all useful things be beautiful
things.
THE ART OF INTERIOR DECORATION
CHAPTER I
HOW TO REARRANGE A ROOM
Lucky is the man or woman of taste who has no inherited eyesores
which, because of association, must not be banished! When these exist
in large numbers one thing only remains to be done: look them over,
see to what period the majority belong, and proceed as if you _wanted_
a mid-Victorian, late Colonial or brass-bedstead room.
To rearrange a room successfully, begin by taking everything out of it
(in reality or in your mind), then decide how you want it to look, or
how, owing to what you own and must retain, you are obliged to have it
look. Design and colour of wall decorations, hangings, carpets,
lighting fixtures, lamps and ornaments on mantel, depend upon the
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