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laration of May, 1775. It is more than probable that Jefferson made use of some of the ideas expressed in newspapers at the time, and that his study of the great English writers upon constitutional freedom was of service to him. But an impartial criticism will not base upon this fact a charge of want of originality. It should rather be regarded as the peculiar merit of the writer that he thus _collected and embodied_ the conclusions upon government of the leading thinkers of the age in Europe and America, rejecting what was false, and combining his material into a production of so much eloquence and dignity." This does not sound much like Bancroft. The two historians have placed Mr. Jefferson in a sad dilemma. The one, to make him an original in the production of the Declaration, says he did not consult one single book, but produced it from the fullness of his own mind. The other, to defend him from the charge of want of originality, says he made use of the newspapers, collected and embodied, etc. But the single fact which I have brought from the conclusion of Common Sense destroys the first hypothesis, and the last hypothesis, in being contradictory in itself destroys itself. How the reader will fathom this labyrinth of contradictions, and reconcile this conflict of historic opinion, is a question which does not trouble me, and I pass on to something more important. STYLE. The style of the Declaration of Independence is in every particular the style of Mr. Paine and Junius; and it is in no particular the style of Thomas Jefferson. This I now proceed to prove. That equality in the members of the periods, which gives evenness and smoothness, and the alliteration which gives harmony in the sound, and which together render the writings of Mr. Paine so stately and metrical, are qualities so prominent that no one can mistake the style. And what renders the argument in this regard so strong, is the entire absence of these qualities in Mr. Jefferson's writings. In fact, if Mr. Jefferson drafted the Declaration of Independence, he never before nor since wrote any thing like it, in the same style, order, or spirit; or produced any thing which evinced genius, or the hand of a master in literature. What I have already said on style, in the former part of this work, will render this readily understood by the reader; but I will now make a few comparisons, and first with Junius, and then Paine and Jefferson. Junius
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