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to orphans born in Philadelphia, second to orphans born in any other
part of Pennsylvania, third to orphans born in New York City, and fourth
to orphans born in New Orleans.
Work upon the buildings was begun in 1833, and the college was opened
with five buildings in 1848. The central one, an imposing structure in
the Corinthian style of architecture designed by Thomas Ustick Walter,
has been called "the most perfect Greek temple in existence." To it in
1851 were removed the remains of Stephen Girard and placed in a
sarcophagus in the south vestibule. The college fund, originally
$5,260,000, has grown to more than thirty-five million dollars; likewise
the college has become virtually a village in itself. Some twenty
handsome buildings and residences, valued at about three and a half
million dollars, and more than forty acres of land accommodate about two
thousand students, teachers and employes.
Under the provisions of the Girard trust fund nearly five hundred
dwelling houses have been erected by the city in South Philadelphia, all
heated and lighted by a central plant operated by the trustees, and more
than seventy million tons of coal have been mined on property belonging
to his estate. Few philanthropists have left their money so wisely or
with such thoughtful provisions to meet changing conditions.
[Illustration: PLATE XVI.--Loudoun, Germantown Avenue and Apsley Street,
Germantown. Erected in 1801 by Thomas Armat; Solitude, Blockley
Township, Fairmount Park. Erected in 1785 by John Penn.]
[Illustration: PLATE XVII.--Cliveden, Germantown Avenue and Johnson
Street, Germantown. Erected in 1781 by Benjamin Chew.]
Perhaps the brick mansion most thoroughly representative of the type of
Georgian country house, of which so many sprang up about Philadelphia
from 1760 to 1770, is Port Royal House on Tacony Street between Church
and Duncan streets in Frankford. This great square, hip-roofed
structure with its quoined corners and projecting stone belt at the
second-floor level; its surmounting belvedere, ornamental dormers and
great chimney stacks; its central pediment springing from a heavy
cornice above a projecting central portion of the facade in which are
located a handsome Palladian window and characteristic Doric doorway;
its large, ranging, twenty-four-paned windows with keyed stone lintels
and blinds on the lower story, is in brick substantially what Mount
Pleasant is in plastered stone, as will be seen i
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