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es, alternate red and white, with thirteen white stars in a blue field, the committee in charge consulted with Washington, then in Philadelphia, concerning the matter. Knowing Mrs. Ross, Washington led the way to her house and explained their mission. In her little shop under their eyes she cut and stitched together cloths of the three colors we love so well and soon produced the first version of the Stars and Stripes. The tale is a pretty one, and it is a pity that it should not be based on some good foundation, especially as the records show that subsequently Betsy Ross did make numerous flags for the government. How the story started is unknown, but none of the historians who have given the matter any attention believe it. John H. Flow in "The True Story of the American Flag" condemns it utterly, and the United States Government refused to adopt the Betsy Ross house as a national monument after a thorough investigation. Notwithstanding the facts, however, this ancient little building still continues to be a place of interest to many tourists every year. [Illustration: PLATE XXII.--Hooded Doorway, Johnson House, Germantown; Hooded Doorway, Green Tree Inn.] [Illustration: PLATE XXIII. Pedimental Doorway, 114 League Street; Pedimental Doorway, 5933 Germantown Avenue.] CHAPTER IV LEDGE-STONE COUNTRY HOUSES The use of natural building materials available on or near the site, when they are suitable or can be made so, always elicits hearty commendation; it gives local color and distinctive character. And so we look with particular admiration at the fine old countryseats of local rock-face and surfaced stone which abound in the neighborhood of Philadelphia, especially at Germantown, finding among them the most homelike and picturesque stone dwellings of the past and the best prototypes for present-day adaptation. Nowhere can one discover better inspiration for rock-face stonework, and nowhere have the architects of to-day more successfully preserved and developed the best local traditions of Colonial times. Wherein lies the superlative picturesque appeal of the typical ledge stonework of Germantown? As distinguished from surfaced stonework, it possesses that flexibility in use so essential to the many and varied requirements of domestic architecture imposed by the personality and mode of living of the owner. In a measure this ready adaptability is due to the irregular lines and rock face of the stone
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