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t of over two miles, along and in which all the bustle and business are conducted. Notwithstanding its recent opening, public-houses, with their alluring signs, have sprung up with mushroom-like rapidity. One in particular I will just mention, not that you are ever likely to forget "Good old Joe," but simply that you may smile, when reading this over, at the willingness with which you were led as lambs to the slaughter. I trust you escaped without the mark of the butcher's knife. After traversing about half the length of the street I mentioned before, the traveller finds himself abreast of the Nanko temple, a large and imposing structure having a wide and noble-looking entrance from the street, and just now presenting a very festive and animated appearance. On either side the really grand avenue to the temple a veritable fair is being held, and such a spectacle was as welcome as it was unlooked for. The amusements were so like those provided at similar gatherings at home that the wonder is, that peoples separated by half a world of varied civilization can possess the details of such festivities in common. Confection stalls, wild beast shows, shooting galleries, archery grounds, theatres, music halls, even a Japanese edition of the thimble-and-pea business was not wanting. In one of the theatres we visited, the acting, although considered good from a Japanese point of view, possessed too many muscular contortions, too much contraction and expansion of the facial organs, to please an English audience. Men do all the acting, women never appear on the Japanese stage. The music halls are not more enlivening than are the theatres, though the sight of an interior is worth the ten _sen_ fee, if only to see their manner of conducting the opera. If you imagine the interior of a church, having all its pews removed, leaving only the cant pieces on which they were erected, and the spaces between these pieces covered and padded with the beautiful rice-straw matting of the country, you will get a fairly good idea of the simple fittings of a Japanese music hall. A whole family seats itself in one of these squares; and as a concert in this country is really a formidable affair, they bring their braziers, teapots, and chow-boxes with them. The performer--a lady--is seated, tailor fashion, on a raised platform, a music desk in front of her, and her musical instruments near at hand. The Japanese, like the Chinese, sing from the throat,
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