e had seen the Haverly parade, and the members were so greatly
impressed with the band that they asked if its services could be
secured.
"Certainly," said Frohman. "You can have not only the band, but the
whole company will escort you in the parade."
Thus it came about that the Haverly Mastodon Minstrels headed the third
division of the Garfield inaugural parade. Ever mindful and proud of his
men, Frohman, at his personal expense, bought a buttonhole bouquet for
every member for the occasion and fastened it on their coats himself. On
the sidewalk he followed with admiring eye and flushed face the progress
of his company.
By a curious coincidence the Haverly Mastodons played Washington during
the week of the Garfield funeral, and the band marched in the funeral
parade to the station, playing "Nearer, My God, to Thee."
A happier sequel of the inaugural episode came when the minstrels next
played Lowell, where they were received by the Phalanx in full uniform,
paraded through the town, with Charles marching proudly at the head. The
Phalanx was host at a banquet given at the armory after the performance.
The Mastodons were now making their way to the Pacific coast. At the
same time Gustave Frohman was in San Francisco with the Number One
"Hazel Kirke" Company, direct from the Madison Square Theater in New
York, which was playing at the California Theater.
One morning in May, 1881, he received the following telegram from
Charles, dated Salt Lake City:
_Am stranded here with the "Big Forty." So is Frank Sanger with "A
Bunch of Keys." Theater management has failed to send railroad
fares. Wire me what you can. Will return amount out of receipts
Bush Street Theater._
The manager of the Bush Street Theater, in San Francisco, had agreed to
provide railroad transportation for the company from Salt Lake City to
San Francisco and had not kept his agreement. The receipts in the former
city did not leave a sufficient surplus to negotiate this jump.
Gustave wired the needed cash, and Charles showed up on time in San
Francisco. For the second and only other time in his theatrical career
Charles was somewhat downcast. Despite his effective services during the
preceding years, Haverly had only raised his salary to twenty-five
dollars a week. The boy had handled hundreds of thousands of dollars
and had helped in no small way to give to the organization its prestige
and its _esprit de corps_. He was now
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