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only a few additions, which are enclosed in brackets. The quartos vary between _Bussy_ and _D'Ambois_, and between _Behemoth_ and _Spiritus_, as a prefix to speeches. I have kept to the former throughout in either case. F. S. B. Bussy D'Ambois: A TRAGEDIE: As it hath been often Acted with great Applause. _Being much corrected and amended by the Author before his death._ [Illustration] _LONDON:_ Printed by _A. N._ for _Robert Lunne_. 1641. SOURCES The immediate source of the play has not been identified, but in the _Introduction_ attention has been drawn to passages in the writings of Bussy's contemporaries, especially Brantome and Marguerite de Valois, which narrate episodes similar to those in the earlier Acts. Extracts from De Thou's _Historiae sui temporis_ and Rosset's _Histoires Tragiques_, which tell the tale of Bussy's amorous intrigue and his assassination, have also been reprinted as an Appendix. But both these narratives are later than the play. Seneca's representation in the _Hercules Oetaeus_ of the Greek hero's destruction by treachery gave Chapman suggestions for his treatment of the final episode in Bussy's career (cf. V, 4, 100-108, and note). PROLOGUE _Not out of confidence that none but wee Are able to present this tragedie, Nor out of envie at the grace of late It did receive, nor yet to derogate From their deserts, who give out boldly that 5 They move with equall feet on the same flat; Neither for all, nor any of such ends, We offer it, gracious and noble friends, To your review; wee, farre from emulation, And (charitably judge) from imitation, 10 With this work entertaine you, a peece knowne, And still beleev'd, in Court to be our owne. To quit our claime, doubting our right or merit, Would argue in us poverty of spirit Which we must not subscribe to: Field is gone, 15 Whose action first did give it name, and one Who came the neerest to him, is denide By his gray beard to shew the height and pride Of D'Ambois youth and braverie; yet to hold Our title still a foot, and not grow cold 20 By giving it o're, a third man with his best Of care and paines defends our interest; As Richard he was lik'd, nor doe wee feare, In personating D'Amboi
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