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o the end of the stories they tell to children. And as a rule the children will listen to the moral for the sake of the story. And so even the stories which words tell us have their lessons for us too, and, let us hope, the stories are sufficiently interesting to pay for the moral. One thing that these stories must have shown us is that the English language is a very ancient and wonderful thing. We have only been able to get mere glimpses of its wonderful development since the days when the ancestors of the peoples of Europe and many of the peoples of India spoke the one Aryan tongue. All the history of Europe and of India--we might almost say of the world--is contained in the languages which have descended from that Aryan tongue. Another point which these stories have impressed upon us is that language is a kind of mirror to thought. For every new idea people must find a word, and as ideas change words change with them. These stories have given us some idea of the wonderful growth of ideas in the minds of men in the past; they have shown us men daring all dangers for the sake of adventure and discovery and for pride of country; they have shown us the growth of new ideas of religion and kindness, new notions about science and learning: in fact, they have given us glimpses of the whole story of human progress. The great lesson which these stories ought to teach us is respect for words. Seeing as we do what a beautiful and wonderful thing the English language has become, it ought to be the resolution of each one of us never to do anything to spoil that beauty. Every writer ought to choose his words carefully, neither inventing nor copying ugly forms of speech. We have seen also from these stories, especially in the chapter on "Slang," how people have misused certain words, until speakers and writers of good taste can no longer use them in their original sense, and therefore do not use them at all. There are many other faults in speaking and in writing which take away from the beauty and dignity of the language. We shall see what some of these faults are; but one golden rule can be laid down which, if people keep it, will help them to avoid all these faults. No one should ever try to write in a fine style. The chief aim which all young writers should keep before them is to say exactly what they mean, and in as few and simple words as possible. If on reading what they have written they find that it is not perfectly
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