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lli, Vitellozzo, ii. 47, 48 Vitellius, iii. 164 Vittoli, the, i. 114, 115 Vivarini, i. 269 Voltaire, iii. 161 Volterra, ii. 163, 214, 231; iii. 66, 69, 79, 92, 103 Volterra, Bebo da, i. 328-330, 333-341 Volterrano, Andrea, i. 336 Volturno, iii. 239 Volumnii, the, iii. 112 Walker, Frederick, ii. 129; iii. 76 Walter of Brienne. (_See_ Athens, Duke of) Walter of the Mill, Archbishop of Palermo, iii. 306 _note_, 308 Webster, the dramatist, i. 220; ii. 103-126, 267, 271, 277 Weisshorn, the, i. 54 Whitman, Walt, ii. 24; iii. 172 Wien, i. 45 Wiesen, i. 65; ii. 127 William of Apulia, iii. 298, 299, 305 William the Bad and William the Good of Sicily, iii. 305, 306, 308, 311 Winckelman, iii. 188 Wolfgang, i. 30 Wolfswalk, the, i. 31 Wordsworth, i. 5, 6, 10, 11; ii. 262, 263, 273; iii. 172, 173 Wyatt, Sir Thomas, ii. 261, 262 Xenophanes, iii. 171, 173, 353 Xiphilinus, iii. 192 Zafferana, iii. 282, 283 Zante, iii. 363 Zeno, Carlo, i. 260 Zeus Olympius, iii. 290 Zizers, i. 65 End of the Project Gutenberg EBook of Sketches and Studies in Italy and Greece, Complete, by John Symonds *** END OF THIS PROJECT GUTENBERG EBOOK SKETCHES AND STUDIES *** ***** This file should be named 18893.txt or 18893.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/8/8/9/18893/ Produced by Turgut Dincer, Ted Garvin, and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and
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