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erity[13] as the hero of my very inadequate preface to 'The Dark Lady of the Sonnets.'" G. BERNARD SHAW. [Footnote 13: A characteristic flirt of Shaw's humor. He is a great caricaturist and not a portrait-painter. When he thinks of my Celtic face and aggressive American frankness he talks of me as pugnacious and a pirate: "a Captain Kidd": in his preface to "The Fair Lady of the Sonnets" he praises my "idiosyncratic gift of pity"; says that I am "wise through pity"; then he extols me as a prophet, not seeing that a pitying sage, prophet and pirate constitute an inhuman superman. I shall do more for Shaw than he has been able to do for me; he is the first figure in my new volume of "Contemporary Portraits." I have portrayed him there at his best, as I love to think of him, and henceforth he'll have to try to live up to my conception and that will keep him, I'm afraid, on strain. _God help me!--G.B.S._] End of Project Gutenberg's Oscar Wilde, Volume 2 (of 2), by Frank Harris *** END OF THIS PROJECT GUTENBERG EBOOK OSCAR WILDE, VOLUME 2 (OF 2) *** ***** This file should be named 16895.txt or 16895.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/6/8/9/16895/ Produced by Jonathan Ingram, Linda Cantoni, and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially comm
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