he mention of the ford brings to
mind a famous crossing of the river during the civil wars. It was just
before the battle of Rowton Moor, which Charles I. watched from the tower
that now bears his name; and Sir Marmaduke Langdale, one of his leal
soldiers, wishing to send the king notice of his having crossed the Dee at
Farndon Bridge and pressing on the Parliamentarians, bade Colonel Shakerley
convey the message as speedily as possible. The latter, to avoid the long
circuit by the bridge, galloped to the Dee, took a wooden tub used for
slaughtering swine, employed "a batting-staff, used for batting of coarse
linen," as an oar, put his servant in the tub, his horse swimming by him,
and once across left the tub in charge of the man while he rode to the
king, delivered his message and returned to cross over the same way.
[Illustration: CORACLES.]
Eaton and Wynnestay are the grandest of the Dee country-seats, though not
the most interesting as to architecture. The former, like many Italian
houses, has its park open to the public, and is an exception to the
jealously-guarded places in most parts of England, but its avenues, rather
formal though very magnificent, are approached by lodges. The Wrexham
avenue leads to a farmhouse called Belgrave, and here is the
christening-point of the new, fashionable London of society, of novelists
and of contractors. Another like avenue leads to Pulford, where there is
another lodge: a third leads from Grosvenor Bridge to the deer-park, and a
fourth to the village of Aldford. The hall is an immense pile, strikingly
like, at first glance, the Houses of Parliament, with the Victoria Tower
(this in the hall is one hundred and seventy feet high, and built above the
chapel), and the style is sixteenth-century French, florid and costly. The
plan is perhaps unique in England, and comfort has been attained, though
one would hardly believe it, such size seeming to swamp everything except
show. The description of the house, as given by a visitor there, reads like
that of a palace: "The hall is an octagonal room in the centre of the house
about seventy-five feet in length and from thirty to forty broad: on each
side, at the end farthest from the entrance, are two doors leading into
anterooms--one the ante-drawing-room, and the other the ante-dining-room;
each is lighted by three large windows, and is thirty-three feet in length:
they are fine rooms in themselves, and well-proportioned. From these le
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