53-4.
(See BRONZE, GLASS, GLAZED WARE, GOLD, POTTERY, SILVER.)
Vaulting, 6 and note, 36, 51,
145, 146, 150, 151.
Vauquelin, M., 304.
Venus, 243.
Vermilion, 203.
Vienna Museum, 272.
Vulture, 92, 299, 301, 315, 325.
Vyse, Col. Howard., 137
Wady Gerraweh, 40.
Genneh, 41.
Sabuah
(see HEMI-SPEOS).
Wages, 35.
Wall-scenes, 3, 9, 12, 13, 14, 15, 16, 17, 18, 19, 21, 24, 30, 31, 35, 36,
91, 92, 97, 99, 120, 122, 124, 130, 152-6, 162-5, 177, 178, 179-
92, 193, 194, 195, 260, 284, 295, 296, 297, 298, 300, 301, 313,
318, 319, 320.
(see BAS-RELIEF and PAINTING).
Washhouse, 12.
Weavers, 124, 297-8.
Wheel, potter's, 255.
Wig, 236, 275, 276, 286, 308, 310, 332.
Wilkinson, Sir Gardner, 295, 303, 305.
Wilson, Sir E., 128 (note).
Windows, 9, 11, 50, 65, 70, 144.
Wine, 35, 36, 97, 180.
Wood, 25, 50, 66, 169, 205, 210-11, 214 and note, 224, 235, 274-7.
(see CABINET-MAKING, MUMMY-CASES, STATUETTES, STATUES).
Zagazig, 332.
Zaru (Selle), 34 and note.
Zodiacal circle of Denderah, 93, 94.
Zowyet el Aryan, 134.
End of the Project Gutenberg EBook of Manual Of Egyptian Archaeology And
Guide To The Study Of Antiquities In Egypt, by Gaston Camille Charles Maspero
*** END OF THIS PROJECT GUTENBERG EBOOK EGYPTIAN ARCHAEOLOGY ***
***** This file should be named 14400.txt or 14400.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.net/1/4/4/0/14400/
Produced by Juliet Sutherland, Robert Connal and the PG Online
Distributed Proofreading Team.
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
r
|