pertinacity in soliciting his messenger. And it were well worth the
while to know, if we could, how one so perverse in certain spots can
manage notwithstanding to be so agreeable as a whole. Then too, if it
seems rather naughty in her that she does not give the Duke a better
chance to try his power upon her, she gets pretty well paid in falling
a victim to the eloquence which her obstinacy stirs up. Nor is it
altogether certain whether her conduct springs from a pride that will
not listen where her fancy is not taken, or from an unambitious
modesty that prefers not to "match above her degree." Her "beauty
truly blent, whose red and white Nature's own sweet and cunning hand
laid on," saves the credit of the fancy-smitten Duke in such an
urgency of suit as might else breed some question of his manliness;
while her winning infirmity, as expressed in the tender violence with
which she hastens on "a contract and eternal bond of love" with the
astonished and bewildered Sebastian, "that her most jealous and too
doubtful soul may live at peace," shows how well the sternness of the
brain may be tempered into amiability by the meekness of womanhood.
Manifold indeed are the attractions which the Poet has shed upon his
heroes and heroines; yet perhaps the learned spirit of the man is more
wisely apparent in the home-keeping virtues and unobtrusive beauty of
his average characters. And surely the contemplation of Olivia may
well suggest the question, whether the former be not sometimes too
admirable to be so instructive as those whose graces walk more in the
light of common day. At all events, the latter may best admonish us,
"How Verse may build a princely throne
On humble truth."
Similar thoughts might aptly enough be suggested by the Duke, who,
without any very splendid or striking qualities, manages somehow to be
a highly agreeable and interesting person. His character is merely
that of an accomplished gentleman, enraptured at the touch of music,
and the sport of thick-thronging fancies. It is plain that Olivia has
only enchanted his imagination, not won his heart; though he is not
himself aware that such is the case. This fancy-sickness--for it
appears to be nothing else--naturally renders him somewhat capricious
and fantastical, "unstaid and skittish in his motions"; and, but for
the exquisite poetry which it inspires him to utter, would rather
excite our mirth than enlist our sympathy. To use an illustrat
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