agazine_
and the _Evening Chronicle_, and reprinted in book form, in 1836, as
_Sketches by Boz_. The success of these suggested to a firm of
publishers the preparation of a number of similar sketches of the
misadventures of cockney sportsmen, to accompany plates by the comic
draughtsman, Mr. R. Seymour. This suggestion resulted in the _Pickwick
Papers_, published in monthly installments in 1836-1837. The series
grew, under Dickens's hand, into a continuous though rather loosely
strung narrative of the doings of a set of characters, conceived with
such exuberant and novel humor that it took the public by storm and
raised its author at once to fame. _Pickwick_ is by no means Dickens's
best, but it is his most characteristic and most popular book. At the
time that he wrote these early sketches he was a reporter for the
_Morning Chronicle_. His naturally acute powers of observation had been
trained in this pursuit to the utmost efficiency, and there always
continued to be about his descriptive writing a reportorial and
newspaper air. He had the eye for effect, the sharp fidelity to detail,
the instinct for rapidly seizing upon and exaggerating the salient
point, which are developed by the requirements of modern journalism.
Dickens knew London as no one else has ever known it, and, in
particular, he knew its hideous and grotesque recesses, with the strange
developments of human nature that abide there; slums like
Tom-all-Alone's, in _Bleak House_; the river-side haunts of Rogue
Riderhood, in _Our Mutual Friend_; as well as the old inns, like the
"White Hart," and the "dusky purlieus of the law." As a man, his
favorite occupation was walking the streets, where, as a child, he had
picked up the most valuable part of his education. His tramps about
London--often after nightfall--sometimes extended to fifteen miles in a
day. He knew, too, the shifts of poverty. His father--some traits of
whom are preserved in Mr. Micawber--was imprisoned for debt in the
Marshalsea prison, where his wife took lodging with him, while Charles,
then a boy of ten, was employed at six shillings a week to cover
blacking-pots in Warner's blacking warehouse. The hardships and
loneliness of this part of his life are told under a thin disguise in
Dickens's masterpiece, _David Copperfield_, the most autobiographical of
his novels. From these young experiences he gained that insight into the
lives of the lower classes and that sympathy with children and with
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