estle with Mr. Nicolini for what he
pleased, out of his lion's skin, it was thought proper to discard him;
and it is verily believed to this day that had he been brought upon the
stage another time he would certainly have done mischief. Besides, it
was objected against the first lion that he reared himself so high upon
his hinder paws, and walked in so erect a position, that he looked more
like an old man than a lion.
The second lion was a tailor by trade, who belonged to the playhouse,
and had the character of a mild and peaceful man in his profession. If
the former was too furious, this was too sheepish, for his part;
inasmuch that, after a short, modest walk upon the stage, he would fall
at the first touch of 'Hydaspes'[147] without grappling with him and
giving him an opportunity of showing his variety of Italian trips; it is
said, indeed, that he once gave him a rip in his flesh-colored doublet;
but this was only to make work for himself in his private character of a
tailor. I must not omit that it was this second lion who treated me with
so much humanity behind the scenes.
The acting lion at present is, as I am informed, a country gentleman who
does it for his diversion, but desires his name may be concealed. He
says very handsomely, in his own excuse, that he does not act for gain,
that he indulges an innocent pleasure in it, and that it is better to
pass away an evening in this manner than in gaming and drinking; but at
the same time says, with a very agreeable raillery upon himself, that if
his name should be known the ill-natured world might call him _the ass
in the lion's skin_. This gentleman's temper is made out of such a happy
mixture of the mild and the choleric that he outdoes both his
predecessors, and has drawn together greater audiences than have been
known in the memory of man.
I must not conclude my narrative without taking notice of a groundless
report that has been raised to a gentleman's disadvantage, of whom I
must declare myself an admirer; namely, that Signor Nicolini and the
lion have been seen sitting peaceably by one another and smoking a pipe
together behind the scenes, by which their common enemies would
insinuate that it is but a sham combat which they represent upon the
stage; but upon inquiry I find that if any such correspondence has
passed between them it was not till the combat was over, when the lion
was to be looked upon as dead, according to the received rules of the
drama.
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