a was
marked off in bands of sharply-contrasted colors: great stretches of dark
blue, others of purple, others of polished bronze; the billowy mountains
showed all sorts of dainty browns and greens, blues and purples and
blacks, and the rounded velvety backs of certain of them made one want to
stroke them, as one would the sleek back of a cat. The long, sloping
promontory projecting into the sea at the west turned dim and leaden and
spectral, then became suffused with pink--dissolved itself in a pink
dream, so to speak, it seemed so airy and unreal. Presently the
cloud-rack was flooded with fiery splendors, and these were copied on the
surface of the sea, and it made one drunk with delight to look upon it.
From talks with certain of our passengers whose home was Honolulu, and
from a sketch by Mrs. Mary H. Krout, I was able to perceive what the
Honolulu of to-day is, as compared with the Honolulu of my time. In my
time it was a beautiful little town, made up of snow-white wooden
cottages deliciously smothered in tropical vines and flowers and trees
and shrubs; and its coral roads and streets were hard and smooth, and as
white as the houses. The outside aspects of the place suggested the
presence of a modest and comfortable prosperity--a general prosperity
--perhaps one might strengthen the term and say universal. There were no
fine houses, no fine furniture. There were no decorations. Tallow
candles furnished the light for the bedrooms, a whale-oil lamp furnished
it for the parlor. Native matting served as carpeting. In the parlor
one would find two or three lithographs on the walls--portraits as a
rule: Kamehameha IV., Louis Kossuth, Jenny Lind; and may be an engraving
or two: Rebecca at the Well, Moses smiting the rock, Joseph's servants
finding the cup in Benjamin's sack. There would be a center table, with
books of a tranquil sort on it: The Whole Duty of Man, Baxter's Saints'
Rest, Fox's Martyrs, Tupper's Proverbial Philosophy, bound copies of The
Missionary Herald and of Father Damon's Seaman's Friend. A melodeon; a
music stand, with 'Willie, We have Missed You', 'Star of the Evening',
'Roll on Silver Moon', 'Are We Most There', 'I Would not Live Alway', and
other songs of love and sentiment, together with an assortment of hymns.
A what-not with semi-globular glass paperweights, enclosing miniature
pictures of ships, New England rural snowstorms, and the like; sea-shells
with Bible texts carved on them i
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