FREE BOOKS

Author's List




PREV.   NEXT  
|<   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160  
161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   >>   >|  
emporaries--no allegories at all, but the plain embodiment of a fact in which the artist believed; not only "the communion of all saints," but also their habit of assisting, often in visible form, the Christians of his own time. These distinctions may seem over-subtle, but our meaning will surely be plain to anyone who will compare "The Faerie Queen," or the legend of St. George, with the Gnostic or Hindoo reveries, and the fantastic and truly Eastern interpretation of Scripture, which the European monks borrowed from Egypt. Our opinion is, that in the old legends the moral did not create the story, but the story the moral; and that the story had generally a nucleus of fact within all its distortions and exaggerations. This holds good of the Odinic and Grecian myths; all are now more or less inclined to believe that the deities of Zeus's or Odin's dynasties were real conquerors or civilisers of flesh and blood, like the Manco Capac of the Peruvians, and that it was around records of their real victories over barbarous aborigines, and over the brute powers of nature, that extravagant myths grew up, till more civilised generations began to say: "These tales must have some meaning--they must be either allegories or nonsense;" and then fancied that in the remaining thread of fact they found a clue to the mystic sense of the whole. Such, we suspect, has been the history of St. George and the Dragon, as well as of Apollo and the Python. It is very hard to have to give up the dear old dragon who haunted our nursery dreams, especially when there is no reason for it. We have no patience with antiquaries who tell us that the dragons who guarded princesses were merely "the winding walls or moats of their castles." What use then, pray, was there in the famous nether garment with which Regnar Lodbrog (shaggy- trousers) choked the dragon who guarded his lady-love? And Regnar was a real piece of flesh and blood, as King AElla and our Saxon forefathers found to their cost; his awful death-dirge, and the effect which it produced, are well known to historians. We cannot give up Regnar's trousers, for we suspect the key to the whole dragon-question is in the pocket of them. Seriously, Why should not those dragons have been simply what the Greek word dragon means--what the earliest romances, the Norse myths, and the superstitions of the peasantry in many parts of England to this day assert them to have been--"mighty worms," h
PREV.   NEXT  
|<   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160  
161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   >>   >|  



Top keywords:
dragon
 

Regnar

 

George

 
allegories
 

trousers

 

dragons

 

guarded

 

meaning

 

suspect

 

reason


patience

 
mighty
 

antiquaries

 
history
 
Dragon
 

Apollo

 

assert

 

Python

 

nursery

 

dreams


haunted

 

princesses

 

England

 

produced

 

historians

 
romances
 

effect

 

forefathers

 

earliest

 

simply


Seriously

 

question

 
pocket
 

famous

 

nether

 

castles

 

winding

 

peasantry

 

garment

 

superstitions


mystic
 
Lodbrog
 

shaggy

 

choked

 

aborigines

 
reveries
 

fantastic

 
Eastern
 
Hindoo
 

Gnostic