and
the English Nonconformists, as they are becoming more cultivated--and
there are now many highly-cultivated men among them--are introducing
Gothic architecture more and more into their churches. There are
elements in it, it seems, which do not contradict their Puritanism;
elements which they can adapt to their own worship; namely, the very
elements which Mr. Ruskin has discerned.
But if they can do so, how much more can we of the Church of England?
As long as we go on where our medieval forefathers left off; as long
as we keep to the most perfect types of their work, in waiting for
the day when we shall be able to surpass them, by making our work
even more naturalistic than theirs, more truly expressive of the
highest aspirations of humanity; so long we are reverencing them, and
that latent Protestantism in them, which produced at last the
Reformation.
And if any should say: "Nevertheless your Protestant Gothic Church,
though you made it ten times more beautiful, and more symbolic than
Cologne Minster itself, would still be a sham. For where would be
your images? And still more, where would be your Host? Do you not
know that in the medieval church the vistas of its arcades, the
alternation of its lights and shadows, the gradations of its
colouring, and all its carefully subordinated wealth of art, pointed
to, were concentrated round, one sacred spot, as a curve, however
vast its sweep through space, tends at every moment toward a single
focus? And that spot, that focus was, and is still in every Romish
church, the body of God, present upon the altar in the form of bread?
Without Him, what is all your building? Your church is empty; your
altar bare; a throne without a king; an eye-socket without an eye."
My friends, if we be true children of those old worthies, whom
Tacitus saw worshipping beneath the German oaks, we shall have but
one answer to that scoff:
"We know it; and we glory in the fact. We glory in it, as the old
Jews gloried in it, when the Roman soldiers, bursting through the
Temple and into the Holy of Holies itself, paused in wonder and in
awe when they beheld neither God, nor image of God, but--blank yet
all-suggestive--the empty mercy-seat.
"Like theirs, our altar is an empty throne; for it symbolises our
worship of Him who dwelleth not in temples made with hands; whom the
heaven and the heaven of heavens cannot contain. Our eye-socket
holds no eye. For it symbolises our worship o
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