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aid before, more firmly believe that the Protestant cause is the good cause; none are more reverentially inclined toward all honest critical investigations, more anxious to see all truth, the Bible itself, sifted and tested in every possible method; but we must protest against what certainly seems too contemptuous a rejection of a mass of historic evidence hitherto undoubted, except by the school of Voltaire; and of the hasty denial of the meaning of Christian and martyrologic symbols, as well known to antiquaries as Stonehenge or Magna Charta. At the same time, Dr. Maitland's book seems the work of a righteous and earnest man, and it is not its object, but its method, of which we complain. The whole question of martyrology, a far more important one than historians generally fancy, requires a thorough investigation, critical and historical; it has to be done, and especially just now. The Germans, the civil engineers of the intellectual world, ought to do it for us, and no doubt will. But those who undertake it must bring to the work, not only impartiality, but enthusiasm; it is the spirit only, after all, which can quicken the eye, which can free the understanding from the idols of laziness, prejudice, and hasty induction. To talk philosophically of such matters a man must love them; he must set to work with a Christian sympathy, and a manly admiration for those old spiritual heroes to whose virtue and endurance Europe owes it that she is not now a den of heathen savages. He must be ready to assume everything about them to be true which is neither absurd, immoral, nor unsupported by the same amount of evidence which he would require for any other historic fact. And, just because this very tone of mind--enthusiastic but not idolatrous, discriminating but not captious--runs through Mrs. Jameson's work, we hail it with especial pleasure, as a fresh move in a truly philosophic and Christian direction. Indeed, for that branch of the subject which she has taken in hand, not the history, but the poetry of legends and of the art which they awakened, she derives a peculiar fitness, not merely from her own literary talents and acquaintance with continental art, but also from the very fact of her being an English wife and mother. Women ought, perhaps, always to make the best critics--at once more quicksighted, more tasteful, more sympathetic than ourselves, whose proper business is creation. Perhaps in Utopia they will t
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