FREE BOOKS

Author's List




PREV.   NEXT  
|<   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   289  
290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   311   312   313   314   >>   >|  
indebted to the European for his apprenticeship, it is highly improbable that either of the conditions present here would have been likely to occur. In this same connection a statement by Ling Roth testifies that "the Beni almost invariably give their fellow Africans sturdy lower limbs while they do not do so invariably to Europeans. The latter of a certain type are made to stand on well planted feet, while such Europeans as are in any way about to use their guns have their legs bent and puny." That the work of the African artist, when dealing with Europeans, was necessarily of an inferior grade must not be assumed to be the rule, however, though it does seem from the evidence that there is more unaccountable archaicness in objects of this character than in any others. Ling Roth, speaking in this same connection, calls attention to the fact that Benin was not discovered by the Portuguese until about 1472, and that by the middle of the sixteenth century (_e.g._, 1550) we have an almost perfect figure of a European, presumably made by a native. "It is inconceivable," he concludes, "that an introduced art could have developed at so rapid a rate that in seventy years, probably less, for this art would hardly have been introduced the first day, such a high pitch of excellence could have been attained by the natives." If the Portuguese theory is untenable, the Arabic or Islamic theory is equally, if not more, unacceptable. In the first place, as has already been pointed out, Arabic or Islamic art shows absolutely nothing in art approaching objects of the Benin type. Furthermore, Islam itself did not appear in Central Africa until the eleventh century, and then only in the northern and western parts of the Sudan. And it was, moreover, not until the fourteenth century that it made itself a real part of the life of the northern country, and not until the eighteenth that its influence spread into Yorubaland. And then its influence was only felt in the back country.[59] Furthermore, according to Frobenius and Ling Roth, respectively, both the Ilifian region and the Benin territory remain until the present-day non-Mohammedan in character. This would seem to indicate Islamic influence in those countries where most of these objects above described were found has been necessarily very slight; yet such a culture as the above objects represent was unquestionably a very integral part of the life of the country and could not pos
PREV.   NEXT  
|<   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   289  
290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   311   312   313   314   >>   >|  



Top keywords:

objects

 

influence

 
country
 

Islamic

 

century

 
Europeans
 
Portuguese
 
European
 

character

 

necessarily


northern
 

Furthermore

 

introduced

 
Arabic
 
theory
 
connection
 
present
 

invariably

 

natives

 
pointed

Central

 

Africa

 

excellence

 

attained

 

unacceptable

 
absolutely
 

approaching

 

untenable

 

equally

 

countries


Mohammedan

 

unquestionably

 
integral
 

represent

 

culture

 

slight

 

remain

 
territory
 

eighteenth

 

spread


fourteenth

 

western

 

Yorubaland

 

Ilifian

 

region

 
Frobenius
 
eleventh
 

planted

 

artist

 

dealing