ants it and unless he is pretty certain of making a picture. Snapping
here and there without a proper condition of light, focus, or subject
is a very bad habit to contract. Until you can make at least eight
good pictures out of ten you are not a photographer. No average lower
than this should satisfy you. Do not blame the lens for your failures.
In recent years the art of making lenses has advanced wonderfully, and
while the one in your camera may not be an expensive one or capable of
a wide range of use, it is at least adapted to the purpose of your
instrument or you may be sure that the manufacturers would never have
used it.
We should not consider the snapshot expert who merely presses the
button as a real photographer, even though he obtains fine pictures.
No one deserves this name who does not understand the operations of
the dark room. One who has experienced the wonderful sensation of
working in a faint yellow-ruby light and by the application of certain
mysterious chemicals of seeing a picture gradually come into view on
the creamy surface of a dry plate will never again be satisfied to
push the button and allow some one else "to do the rest." However, if
you do not wish to go into photography extensively you may at least
learn just what limits your hand camera has, and at the end of the
season in place of a lot of ill-timed pictures you can have an album
full of creditable prints for which no apology will be necessary.
It is quite beyond the limits of this chapter to go into photography
fully, but some of the simple principles may be of use to the boy or
girl who has taken up the subject. The modern snapshot camera even of
small size has great possibilities. With a clear negative we can have
an enlargement made on bromide paper that will be a source of great
satisfaction. The actual making of enlargements is usually beyond the
limits of an amateur's outfit. In this part of photographic work it
will be better to patronize a professional.
To become an expert photographer and one whose work will be worth
while, we must really make a study of the subject. The modern outfits
and chemicals make it very easy for us if we do our part.
The basis of successful work is a good lens, which is really the eye
of the camera. In selecting it we should get just as good a one as we
can afford. There are a great many excellent makes of lenses on the
market and even the stock types that are supplied with moderate-priced
cam
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