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de of a clock, whilst she knew all the finer springs and movements of its inside. See _Richardson's Correspondence_, ii. 105. [10] Fielding blundered rather strangely in the celebrated Betsy Canning case, as Balzac did in the 'Affaire Peytel'; but the story is too long for repetition in this place. The trials of Miss Canning and her supposed kidnappers are amongst the most amusing in the great collection of State Trials. See vol. xix. of the 8vo edition. Fielding's defence of his own conduct in the matter is reprinted in his 'Miscellanies and Poems,' being the supplementary volume of the last collected edition of his works. [11] They were really the property not of Fielding but of the once famous '_beau_ Fielding.' See _Dictionary of National Biography_. [12] See _Tom Jones_, book xiv. chap. i. [13] See _Voyage to Lisbon_ (July 21) for some very good remarks upon this word, which, as he says, no two men understand in the same sense. [14] In his interesting Life of Godwin, Mr. Paul claims for his hero (I dare say rightly) that he was the first English writer to give a 'lengthy and appreciative notice' of 'Don Quixote.' But when he infers that Godwin was also the first English writer who recognised in Cervantes a great humourist, satirist, moralist, and artist, he seems to me to overlook Fielding and others. So Warton in his essay on 'Pope' calls 'Don Quixote' the 'most original and unrivalled work of modern times.' The book must have been popular in England from its publication, as we know from the preface to Beaumont and Fletcher's 'Knight of the Burning Castle'; and numerous translations and imitations show that Cervantes was always enjoyed, if not criticised. Fielding's frequent references to 'Don Quixote' (to say nothing of his play, 'Don Quixote in England') imply an admiration fully as warm as that of Godwin. 'Don Quixote,' says Fielding, is more worthy the name of history than Mariana, and he always speaks of Cervantes in the tone of an affectionate disciple. Fielding, I will add, seems to me to have admired Shakespeare more heartily and intelligently than ninety-nine out of a hundred modern supporters of Shakespeare societies; though these gentlemen are never happier than when depreciating English eighteenth-century critics to exalt vapid German philosophising. Fielding's favourite play seems from his quotations to have been 'Othello.' [15] Book x. chap. i. [16] _Tom Jones_, book xv. chap. i. [
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