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the public amusement. The other dancers give way and the new-comers perform, in harlequin fashion, their allotted parts. Towards morning a large paper globe is suspended from the ceiling and lowered to within a certain height from the floor. Blindfolded volunteers of both sexes, furnished with sticks, are permitted to walk towards and try to hit it. Scores fail, others just graze the globe of paper, all amid loud laughter from the spectators. Finally some one hits the globe full and fair, bringing down the contents amid vociferous applause. Then commences a general scramble for the contents, consisting of bonbons, toys, and fancy trinkets. The celebrated Tacon Theatre faces the Paseo de Isabella, and is built on the corner of San Rafael Street. It is a capacious structure, but extremely plain and unimpressive in its exterior appearance. It has five tiers of boxes and a spacious parquette, the latter furnished with separate arm-chair seats for six hundred persons. The entire seating capacity of the house is a trifle over three thousand, and the auditorium is of the horseshoe shape. The lattice-work finish before the boxes is very light and graceful in effect, ornamented with gilt, and so open as to display the dresses and pretty feet of the fair occupants to the best advantage. The frescos are in good style, and the ornamentation, without being excessive, is in excellent and harmonious taste. A large, magnificent glass chandelier, lighted with gas, and numerous smaller ones extending from the boxes give a brilliant light to this elegant house, which is one of the largest theatres in the world. The scene is a remarkable one when tier upon tier is filled with gayly dressed ladies, powdered and rouged as Cuban women are apt to be, in the most liberal manner. The parquette is reserved for gentlemen, and when the audience is assembled forms a striking contrast to the rest of the house, as they always appear in dark evening dress, and between the acts put on their tall black beaver hats. These audiences have their own special modes of exhibiting appreciation or applause, when captivated by a prima donna's or a danseuse's efforts to please them. At favorable moments during the performance the artist is showered with bouquets; white doves are set free from the boxes, bearing laudatory verses fastened to their wings; gentlemen throw their hats upon the stage, and sometimes even purses weighted with gold. Tiny balloons are start
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