the public amusement. The other dancers give way and the new-comers
perform, in harlequin fashion, their allotted parts. Towards morning a
large paper globe is suspended from the ceiling and lowered to within
a certain height from the floor. Blindfolded volunteers of both sexes,
furnished with sticks, are permitted to walk towards and try to hit
it. Scores fail, others just graze the globe of paper, all amid loud
laughter from the spectators. Finally some one hits the globe full and
fair, bringing down the contents amid vociferous applause. Then
commences a general scramble for the contents, consisting of bonbons,
toys, and fancy trinkets.
The celebrated Tacon Theatre faces the Paseo de Isabella, and is built
on the corner of San Rafael Street. It is a capacious structure, but
extremely plain and unimpressive in its exterior appearance. It has
five tiers of boxes and a spacious parquette, the latter furnished
with separate arm-chair seats for six hundred persons. The entire
seating capacity of the house is a trifle over three thousand, and the
auditorium is of the horseshoe shape. The lattice-work finish before
the boxes is very light and graceful in effect, ornamented with gilt,
and so open as to display the dresses and pretty feet of the fair
occupants to the best advantage. The frescos are in good style, and
the ornamentation, without being excessive, is in excellent and
harmonious taste. A large, magnificent glass chandelier, lighted with
gas, and numerous smaller ones extending from the boxes give a
brilliant light to this elegant house, which is one of the largest
theatres in the world. The scene is a remarkable one when tier upon
tier is filled with gayly dressed ladies, powdered and rouged as Cuban
women are apt to be, in the most liberal manner. The parquette is
reserved for gentlemen, and when the audience is assembled forms a
striking contrast to the rest of the house, as they always appear in
dark evening dress, and between the acts put on their tall black
beaver hats. These audiences have their own special modes of
exhibiting appreciation or applause, when captivated by a prima
donna's or a danseuse's efforts to please them. At favorable moments
during the performance the artist is showered with bouquets; white
doves are set free from the boxes, bearing laudatory verses fastened
to their wings; gentlemen throw their hats upon the stage, and
sometimes even purses weighted with gold. Tiny balloons are start
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