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dfish are not the only dangers to encounter at Avalon. I wish they had a policeman there. But the spirit of Avalon, like the climate, is something to love. It is free, careless, mirthful, wholesome, restful, and serene. The resort is democratic and indifferent and aloof. Yet there is always mirth, music, and laughter. Many and many a night have I awakened, anywhere from ten to one, to listen to the low lap of the waves on the beach, the soft tones of an Hawaiian ukulele, the weird cry of a nocturnal sea-gull, the bark of a sea-lion, or the faint, haunting laugh of some happy girl, going by late, perhaps with her lover. Avalon is so clean and sweet. It is the only place I have been, except Long Key, where the omnipresent, hateful, and stinking automobile does not obtrude upon real content. Think of air not reeking with gasolene and a street safe to cross at any time! Safe, I mean, of course, from being run down by some joy-rider. You are liable to encounter one of the Loreleis or Aphrodites at any hour from five till sunset. You must risk chance of that. So, in conclusion, let me repeat that if you are a fisherman of any degree, and if you aspire to some wonderful experiences with the great and vanishing game fish of the Pacific, and if you would love to associate with these adventures some dazzling white hot days, and unforgetable cool nights where your eyelids get glued with sleep, and the fragrant salt breath of the sea, its music and motion and color and mystery and beauty--then go to Avalon before it is too late. THE END End of the Project Gutenberg EBook of Tales of Fishes, by Zane Grey *** END OF THIS PROJECT GUTENBERG EBOOK TALES OF FISHES *** ***** This file should be named 29346.txt or 29346.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/9/3/4/29346/ Produced by Brian Janes, D. Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing
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